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Wednesday, 15 April 2026

Independent title Walt & The Magical Bee presented at London and Bologna international book fairs

Walt & The Magical Bee is an original illustrated story created by artist and author Cristina Cargasacchi, founder of the independent creative studio Goldenhive Productions, based in Southall, London.

Following its participation at the London Book Fair 2026, the project was also presented at the Bologna Children’s Book Fair 2026, where it was included in the Foreword Reviews collective exhibition, a curated showcase of selected independent titles presented to an international audience of publishers, agents, and creative industry professionals.

These presentations mark an important step in introducing the project within an international publishing and creative context.

Inspired by the life and creative spirit of Walt Disney, Walt & The Magical Bee is a lyrical illustrated story for both children and adults, with early-stage ideas for adaptation into audiobook, film, and stage. It is an independent work, not affiliated with or endorsed by The Walt Disney Company.

Cristina Cargasacchi, a graduate of the Accademia di Belle Arti di Venezia, is an artist and author whose work has developed over time through her own creative path.

“I hope this story can keep growing and reach people in different ways,” Cristina told That's Books and More.

Through Goldenhive Productions, Cristina continues to create across publishing, visual, and performance formats, with Walt & The Magical Bee at the centre of this journey.

www.goldenhiveproductions.com

Monday, 13 April 2026

Haydn’s The Creation Set to Shine at Sheffield’s Victoria Hall

Music lovers and fans of classical storytelling are in for a remarkable treat this summer. On Saturday, 13 June 2026, Sheffield’s historic Victoria Hall will host a powerful performance of one of classical music’s most celebrated works: Joseph Haydn’s monumental oratorio, The Creation.

In an exciting collaboration, the Sheffield Chamber Orchestra will join forces with the Steel City Choristers and three acclaimed soloists from Opera North, all conducted by John Lyon. 

Bringing together around 70 musicians, the performance promises a sweeping musical retelling of the world’s beginning, drawing inspiration from the Book of Genesis and John Milton’s Paradise Lost.

Haydn’s The Creation is widely regarded as one of the crowning achievements of the classical repertoire. According to Denis McCaldin, Director of the Haydn Society of Great Britain, the composer was inspired to write the piece after attending the grand Handel festivals in London. The result is a magnificent fusion of orchestral brilliance, operatic storytelling, and the rich tradition of English choral music.

One of the most famous moments arrives early in the work with the dramatic orchestral introduction known as “The Representation of Chaos.” This striking musical passage resolves suddenly into a radiant C-major chord as the choir proclaims the words “And there was LIGHT.” Even today, the moment still sends shivers through audiences.

A special highlight of the concert is the participation of the Steel City Choristers, an independent choir that brings children and adults together to perform to cathedral-level standards. Under the direction of Eleanor Jarvis, the choir provides both musical excellence and an inspiring educational experience. Jarvis emphasises the profound sense of achievement young singers feel when mastering a complex work like this, particularly in beloved choruses such as “The Heavens are Telling.”

The production also features three exceptional soloists from Opera North:

Claire Lees (Soprano) performs the roles of the archangel Gabriel and Eve, delivering the lyrical aria “With Verdure Clad,” a celebration of nature’s beauty.

Tom Smith (Tenor) appears as the archangel Uriel, guiding the audience through the unfolding story with both grandeur and reflective warmth.

Andrew Randall (Bass) portrays Raphael and Adam, bringing vivid character to Haydn’s playful musical depictions of animals and creation itself.

Beyond its artistic ambition, the concert also reflects Sheffield Chamber Orchestra’s mission to bring outstanding classical music to the heart of the city. The organisation is currently seeking a Programme Sponsor, offering local businesses an opportunity to support the arts while connecting with Sheffield’s vibrant cultural community.

With its blend of drama, beauty and joyful celebration, this performance promises to be a standout event in Sheffield’s 2026 cultural calendar.

Performance Details

Date: Saturday, 13 June 2026

Time: 2:00 PM

Venue: Victoria Hall, Norfolk Street, Sheffield

Tickets: £12 in advance / £6 for under-18s

Booking: www.scorchestra.uk

For anyone who loves music, literature, or the timeless power of great storytelling, this promises to be an unforgettable afternoon.

Tricycle Film Festival Expands Globally Through Partnership with Pure Land Foundation

Pure Land Foundation, a UK-based philanthropic organisation focused on social, spiritual and emotional well-being, announces a new collaboration with Tricycle: The Buddhist Review, North America’s leading Buddhist publication, to co-present the 2026 Buddhist Film Festival.

Returning in June 2026, the festival marks its most expansive and internationally oriented edition to date. A carefully curated programme of five short films and five feature-length works will explore themes rooted in Buddhist philosophy and practice. Screenings will be available online across a two-week period, extending access to a global audience.

For the first time, the festival will introduce a flagship physical activation in London. Hosted at OXO Gallery on the South Bank, Pure Land Foundation will present a five-day public Sand Mandala installation, created live by senior visiting Tibetan Buddhist monks. 

Unfolding in real time within one of the city’s most active cultural spaces, the installation offers a rare encounter with a centuries-old sacred art form. A series of accompanying sound bath sessions will further open the space for reflection and engagement.

Alongside the festival, Pure Land Foundation will launch a new digital submission platform, inviting filmmakers worldwide to contribute work for consideration. Selected films will be presented across five categories: Documentary Short, Animated Short, Narrative Short, LGBTQ+ Short, and Vertical Short.

Held ahead of the autumn festival circuit, the Buddhist Film Festival occupies a distinct place within the international calendar, foregrounding ethical inquiry, philosophical depth and accessibility over premieres and market dynamics.

Bruno Wang, founder of the Pure Land Foundation, will serve as chairman of the 2026 festival, which has been programmed by Tricycle’s curator and acclaimed producer Shrihari Sathe since the festival’s inception in 2024.

“This partnership is about more than cinema, it’s about cultural dialogue,” Bruno Wang told That's Books and More.

“In a fragmented world, film offers a powerful way to surface timeless values such as compassion and mindfulness and make them relevant to contemporary audiences across cultures.”

Sam Mowe, Tricycle’s publisher, told us: “We are happy to partner with the Pure Land Foundation, whose mission aligns with our commitment to disseminate Buddhist teachings.” 

He added that “proceeds from the festival will be used to expand our free offerings, such as Buddhism for Beginners, our Daily Dharma email and app, and our online-learning scholarship program.”

The Tricycle Film Festival continues its tradition of presenting innovative storytelling, showcasing films that highlight diverse perspectives and narratives rooted in Buddhist thought. With the new partnership, the festival expands its international reach and deepens its cultural impact.

Pure Land Foundation supports initiatives that promote social, spiritual and emotional wellness through the arts. Founded by philanthropist Bruno Wang, the foundation champions projects that inspire compassion, foster cultural exchange, and cultivate deeper awareness of humanity’s shared values.

Founded in 1991, Tricycle is a leading independent Buddhist publication and foundation dedicated to making Buddhist teachings and practices broadly available. Through its quarterly magazine, online platform, and events, Tricycle fosters dialogue across Buddhist traditions and engages contemporary issues through a Buddhist lens.

https://purelandfoundation.com

https://tricycle.org

Thursday, 9 April 2026

A Steam Train Video, this one in Shropshire

Just sharing another steam train video. However this steam train video was filmed in Shropshire, rather than at Chester station as the previous steam train videos were recorded.

I hope you enjoy it.

Thursday, 2 April 2026

Slough Comes Alive: Hundreds Join High-Energy Flash Mob Showcasing Town’s Cultural Power

Slough’s High Street and Salt Hill Park became stages for an extraordinary show of unity, creativity and pride this Saturday, 28th of March, as more than 300 residents gathered to witness a large-scale flash mob in support of the town’s bid for UK Town of Culture 2028.

The event brought together over 100 dancers across three distinct performances, each led by different choreographers and representing different age groups and communities, a powerful reflection of Slough’s cultural richness in action.

The flash mob was conceived and coordinated by Sreya Biswas of Sanchari Dance Company, a community organisation that uses dance to promote health, wellbeing and social connection across the borough.

The event opened with an energetic, youth-led performance from Creative Academy and Prodigy Dance Studio, led by Gracie, featuring around 40 dancers aged 6 to 22. Performing on the High Street, they drew crowds and stopped passers-by in their tracks, with many of the young performers holding handmade placards reading “We Love Slough” and “We Support Town of Culture 2028.”

This was followed by a dynamic Afro-Caribbean dance performance from a local church group, Mustard Seed Chapel International, with around 15 dancers, led by Veronica from Dancing Stars and Fiona from Fusion. The group spanned a wide range of ages, bringing rhythm, expression and cultural pride into the town centre.

The finale featured around 40 dancers performing a Bollywood fusion routine led by Sanchari Dance Company, with participants from Sai Seva, Apna Virsa, Indian Diaspora UK (IDUK), Slough Mitra Mandal and many other local community groups. The performance became a shared moment, with members of the public joining in.

The dance routines were later repeated in Salt Hill Park, attracting an even wider audience enjoying the rare sunshine that Saturday.

65 dancers had signed up through the open call, demonstrating the strong appetite across Slough’s communities to take part.

Alongside the performances, members of the Slough Sisterhood community led a walk through Salt Hill Park, adding to the sense of visibility, movement and shared purpose.

Throughout the event, participants carried bold placards reading “Slough is Ready,” “Slough: You Didn’t Expect That,” and “Slough – More Than a Punchline,” signalling a town confidently reclaiming its narrative.

The event was widely captured by attendees, with footage filmed both on the ground and by drone, and is already circulating across social media, generating strong engagement and positive reactions.

Vineet Vijh, Director of Viva Slough, told That's Books and More: “This was Slough telling its story in the most powerful way possible, through its people. Different cultures, different generations, all coming together in one shared moment. You could feel the pride, the energy, and the belief that Slough’s time has come.”

Sreya Biswas, Sanchari Dance Company, said: “Seeing so many people step forward and perform with confidence was incredible. This was about more than dance; it was about showing what Slough is capable of.”

Rob Deeks MBE, Chair of the Slough Town of Culture Steering Group, said: “What we witnessed today is exactly why this bid matters. This is real participation, real pride, and real community leadership. Slough isn’t waiting for recognition, it is already showing the country what it can do.”

Rajesh, a passing resident, commented: “It was amazing to see the energy from the dancers, the town centre really did come alive.”

The atmosphere across both locations was overwhelmingly positive, with hundreds of residents watching, joining in and sharing the moment. The event demonstrates the growing momentum behind Slough’s Town of Culture bid, not just as a vision, but as something already being brought to life by its communities.

https://vivaslough.org

Photographer Jack Eames documents the ground-breaking work done by Haircuts4Homeless over 56 locations in the UK

(c)Jack Eames
“The SEEN art exhibition is a very special project for me and represents a powerful collaboration between myself, as founder of Haircuts4Homeless, and the incredibly talented photographer Jack Eames. 

"The relationship that has developed between Jack, the guests of Haircuts4Homeless and I, is something very special.

"This exhibition really celebrates trust and human connections. These portraits show the real people behind the statistics and remind us that everyone has a story worth telling. 

"For me, SEEN is more than an art exhibition, it’s a celebration of dignity, humanity and the belief that everyone deserves to be seen," Stewart Roberts MBE - Founder Haircuts4Homeless told That's Books and More.

For the past seven years, award-winning fashion led hair and beauty photographer, and director Jack Eames has been documenting the ground-breaking work done by Haircuts4Homeless. Affiliated to key industry sponsors including The British Beauty Council, the charity organises volunteer hairdressers to provide free haircuts to those experiencing homelessness across the UK.

Founded by Stewart Roberts MBE in 2014, Haircuts4Homeless has grown significantly since its launch, now providing over 12,000 free haircuts a year across 56 projects in the UK. 

The charity runs teams of exceptional volunteer hairdressers and is made possible by financial donations. Jack Eames first started visiting the Haircuts4Homeless projects seven years ago, to document this work and raise awareness of the charity with sensitive, beautiful photographs. 

Realising that his project deserved a wider platform to illustrate fully the empowering results, Haircuts4Homeless published Hear me See Me, a coffee-table book of incredible imagery.

Adding to the archive of stories and moments from this publication, Jack is invited to curate SEEN by Jack Eames, an exhibition giving visibility for all people suffering homelessness from rough sleeping to sofa surfing.

“I feel incredibly honoured to be involved with Haircuts4Homeless and Stewart Roberts MBE, joining them at their sessions and documenting the work they do. Being in those spaces only highlights the importance of their mission, and the value that a haircut can bring to an individual who is homeless or struggling with housing stability. It’s far more than just a haircut – it’s about creating safe spaces for vulnerability, touch and listening, while helping people to feel good about themselves. My hope is that this exhibition will shed a light on the incredible impact of the charity’s work, and that together we can support them to continue helping our homeless communities”Photographer Jack Eames told us.

From Monday 13th until Thursday 16th April 2026, SEEN by Jack Eames is available to view at the Coningsby Gallery. The exhibition proceeds and partner contributions will go directly towards funding the charity’s ongoing outreach efforts, existing not just as a cultural moment, but as a practical way to generate tangible support for unhoused individuals.

(c) Jack Eames
This collection of impactful, candid photographs, taken during the many sessions Jack attended with Haircuts4Homeless across the country and is supported by his long-term professional photo software brand partner Capture One. Stewart and Jack are incredibly grateful to Capture One, the premier photography software company, for sponsoring the exhibition and helping bring this important body of work to a wider audience.

An ongoing project, Jack continues to document his work with the charity, working to humanise the face of homelessness, capturing the real people behind this issue with respect and dignity. This exhibition highlights the human stories behind the project and the impact of the charity’s work, reflecting Jack Eames and Capture One’s shared belief in photography’s ability to humanize, connect, and bring light to those overlooked by their plight. SEEN by Jack Eames directly supports Haircuts4Homeless and its mission to provide free haircuts for homeless people.

“Photography has the power to shift perception. With SEEN, we’re proud to support a project that restores visibility and dignity to people too often overlooked. Through exhibitions, partnerships, education programs, and direct collaboration with working photographers like Jack, Capture One actively invests in strengthening the creative ecosystem. Building projects like SEEN is part of a broader commitment to champion photographers who use their craft to create meaningful social impact,” Taus Andreas, Creative Lead, Capture One told us.

The importance of the charity has been recognised by the UK’s leading voice in the beauty Industry the British Beauty Council. Its CEO, Millie Kendall OBE is also one of the trustees of the charity. She has first-hand experience of seeing the transformative results.

"I’d always realised the importance of hairdressing in communities, but when I met Stewart Roberts back in 2019, I truly realised the impact it had on people living rough in our towns and villages. 

"We walk past people every day who might benefit from a haircut, from the care given when getting a haircut, from the emotional connection with another human being, and the touch of someone given in kindness. 

"I have seen men and women go from being hunched over and ashamed of their appearance to standing up straight and proud after a haircut by the Haircuts4Homeless team. It is a special experience both for them and to witness. I urge anyone and everyone to get involved and support this charity, especially if you work in hair and beauty!” - Millie Kendall OBE, told us.

SEEN by Jack Eames

13th – 16th April 2026

(Private viewing and presentations 6 – 9pm, Monday 13th April 2026)

Coningsby Gallery,

30 Tottenham St,

London W1T 4RJ

Wednesday, 1 April 2026

Sir Walter Scott is Back! Full Steam Ahead for Historic Steamship on Loch Katrine - Nature's Wonderland

The 126-year-old Steamship Sir Walter Scott has returned to service for the season on Loch Katrine following a major annual winter overhaul, sailing daily until late October alongside MV Lady of the Lake or MV Rob Roy 111.

The much-loved steamer, named after Scotland’s most celebrated literary figure, offers visitors the chance to experience classic steamship cruises in the heart of Loch Lomond and the Trossachs National Park and the Great Trossachs Forest National Nature Reserve.

Until work is completed next week on the storm damaged pier at Stronachlachar, there will be daily circular Steamship cruises. 

When the pier is reopened this will give passengers the option to enjoy a full return cruise or combine their sailing with a cycle or walk on the scenic road that winds its way along the shoreline of Loch Katrine. 

For cyclists of all abilities, this is widely regarded as one of Scotland’s finest outdoor experiences, with a peaceful, traffic-free route set against a stunning landscape rich in natural beauty and cultural history.

Originally built on the River Clyde in 1899, Steamship Sir Walter Scott has a remarkable story. After construction, she was transported in sections by barge along the River Leven and up Loch Lomond, before being hauled the final five miles overland by horses to reach Loch Katrine, where she was re-assembled and launched in 1900.

Visitors can explore this unique history further at a dedicated multi-sensory exhibition at Trossachs Pier, where the story of steamships on Loch Katrine and the loch's role as the main source of Glasgow's water supply is brought to life.

Scenic Beauty & Romance

Above the pier and overlooking the loch is the award-winning scenic tower and viewpoint that inspired Sir Walter Scott to write The Lady of the Lake, his internationally celebrated poem published in 1810. The work tells the story of Ellen Douglas, who lived in exile on a Loch Katrine island, and her encounters with a disguised King James V, blending romance, clan conflict and Highland landscapes into a narrative that captured the magic of this special place.

Scott’s vivid descriptions of the dramatic Trossachs landscapes and romantic stories helped establish Loch Katrine as a must-visit destination, earning it recognition as the Birthplace of Scottish Tourism and today, visitors can experience this same view from the scenic tower and lookouts above Trossachs Pier. Now in its second full year, the tower has already welcomed more than 50,000 people, bringing many new visitors to the popular Trossachs attraction.

James Fraser, CEO and Lead Trustee of the Steamship Sir Walter Scott Trust, told That's Books and More: “It's remarkable the historic Steamship has been offering visitors the opportunity to enjoy scenic cruises on Loch Katrine since 1900 and is still powered by the original engine built in 1899.

"The Steamship is being lovingly preserved under the umbrella of a charitable trust with dedicated trustees and skilled staff for the benefit of the nation and public enjoyment.

"It’s strong connection with the public and the pure waters of the loch, which are the main source of Glasgow's water supply, has allowed her to endure, and we hope that this will be another busy season following a bumper 2025 when the steamship celebrated a milestone 125th anniversary.

"Her accessibility enables everyone, including those with restricted mobility to enjoy these classic cruises, and we are always delighted to see the joy she brings to visitors from home and abroad.”

Loch Katrine offers up to 10 cruises of varying duration from 45 minutes to 2 hours each day, with an option of a Freedom Ticket to enable visitors to stay and explore the lochside for longer. At Trossachs Pier there are 10 eco lodges, cycle hire, a gift shop and the scenic tower. There are cafés and motorhome and campervan hook-up pitches at both Trossachs and Stronachlachar Piers.

https://www.lochkatrine.com

That's Business: Imagine a world where you can shape the choices an...

That's Business: Imagine a world where you can shape the choices an...: Imagine a world where you can shape the choices and behaviours of others, of consumers. A branded bag, a phone, a vaccine, a weapon, a polit...

Sunday, 29 March 2026

Valle Venia presents: LPS feat. Natalia Sarsgard: J’ai dû m’arrêter

Neustadt an der Weinstrasse - The song by Leo Philipp Schmidt and Valle Venia captures the feeling of losing oneself in a world that is growing ever louder and faster, where restlessness and superficiality cause relationships, friendships, and connections to dissolve and be sacrificed.

With emotional depth, singer Natalia Sarsgard describes the path to finding oneself again, to gathering one’s thoughts, to remaining silent, to withdrawing—in order to reflect in the silence, in the comfort, and in the seclusion, to feel and reconnect with ourselves and others.

Through her multifaceted voice, Natalia Sarsgard’s interpretation of the song conveys how strength and courage can arise from deep vulnerability. Without even realizing it, one is accompanied by the confidence that what was thought to be lost can be found again.

Youtube: https://youtu.be/CINjhTHtmno

J'ai Du M'arreter - LPS, https://open.spotify.com/intl-de/album/6BvbJ0VAAvMwciCD7q7BC8

https://shop.valle-venia.de/products/different-ways

https://www.amazon.de/Different-Ways-feat-Various-Artist/dp/B0CMJVQV2M

https://valle-venia.de/30S/JaiDuMarreter.mp4

www.valle-venia.com

Wednesday, 25 March 2026

Croesawu synau clychau'r eglwys! Welcome the sounds of the church bells! Church bells to ring for first time at North Wales Easter service

Bells at St Mary’s Church in Betws-y-Coed, Wales, will rung for the first time at a church service this Easter, following the completion of a major restoration project.

Although the church was built with plans for a full ring of bells, that work was never completed. Over 150 years later, the tower now has a full set in place.

Eight of the bells were brought from St John’s Church in Porthmadog in 2024, after the church closed, linking the two communities. 

The remaining bell, cast in 1873 for Betws-y-Coed by John Warner of London, has been restored and rehung as the clock and chiming bell.

The bells will be rung before a family Eucharist and blessing of lambs at 11:00 on Easter Day.

The project began in 2019 during a conversation at the Llanrwst Eisteddfod involving members of Côr Penmachno

Several choir members were bell ringers but had no local tower to practise in, which led to the idea for the project. 

Members of that original group plus other local people have taken on key roles. Nigel Thomas is now the Tower Captain, with others serving as secretary, treasurer and steeple keepers.

The eight bells from Porthmadog were cast by John Warner & Sons, with six dating from 1900 and two added in 1902. They were retuned and prepared for installation by Taylor’s Bell Foundry before being hung in the tower.

Work on the installation included cleaning and tuning the bells, removing original fittings and installing new headstocks. A new base frame was designed using sections from the Porthmadog installation, supported by the original beams in the tower. The church clock mechanism has also been replaced so it can now chime the hour.

The project has cost around £100,000, funded mainly through grants, including support from the Keltek Trust, Hobart Trust and Bernard Piggott Trust.

During the work, newspapers dating from October 1874 were found in part of the tower, including a copy of the Caernarvon and Denbigh Herald which mentions Betws-y-coed.

The bells have been dedicated to eight local people, including former church wardens. Three of those named are still living and are expected to attend the Easter service.

Revd Stuart Elliott, local priest and Ministry Area Leader of Bro Gwydyr told That's Books and More: said, “It was a wonderful and emotional moment to hear the bells during a test ring. It will be extraordinary to hear them rung for the first time at a church service on Easter Sunday, so that the whole community can hear the invitation they proclaim. It is quite a transformation for the village.

“Whilst this project was essentially a practical one of buildings and structure, at its heart is the new community of ringers that will be able to be created around the church. 

"The project would not have been possible without the dedication of the local group who worked hard fundraising and helping with the physical work fitting the bells. 

"We must also acknowledge the many local donations from people and businesses together with Keltek Trust, Hobart Trust and Bernard Piggott Trust for their generosity which made this project happen.”

After the service, a Quarter Peal will be rung, lasting about 45 minutes. This is a form of change ringing using a set sequence known as Plain Bob Triples. Four of the ringers taking part also rang the final Quarter Peal at St John’s Church in Porthmadog before it closed.

The heaviest bell in the ring weighs more than 10 hundredweight, and together the bells are tuned in the key of G.

Easter Day will mark the first time the full ring is used as originally intended when the church was built in the 19th Century.

https://bangor.eglwysyngnghymru.org.uk

https://brogwydyr.cymru

From psychological thrillers to emotional family drama: New8 unveils Slate 3 at Series Mania

New8, the European drama collaboration of eight public service broadcasters, presented eight new scripted projects today during Series Mania in Lille.

Following the announcement earlier this year that the partners are extending their successful co‑production model, the new slate marks three years of close collaboration between SVT (Sweden), DR (Denmark), YLE (Finland), RÚV (Iceland), NRK (Norway), VRT (Flanders/Belgium), NPO (the Netherlands) and ZDF (Germany). 

The unveiling highlights the strength of the collaboration and its continued commitment to sustainably co‑producing high‑quality drama rooted in shared public service values. 

That ambition is reflected in the breadth and diversity of the titles presented, all of which aim to nurture creative excellence while offering producers and creatives a stable and reliable financing framework.

https://presseportal.zdf.de/pressemitteilung/from-psychological-thrillers-to-emotional-family-drama-new8-unveils-slate-3-at-series-mania

Tuesday, 24 March 2026

New theatre initiative guarantees up to 40% off for smarter theatregoers who plan ahead

Advance Pick offers locked-in prices, seat choice and a best-price guarantee for tickets booked 8–12 weeks early.

Theatregoers booking West End tickets 8–12 weeks in advance can now save up to 40% through a new option from London Theatre Direct that guarantees they won't find the same seat cheaper elsewhere, even at the last minute.

Advance Pick, which launches today, is aimed at audiences who want to plan ahead but hesitate to commit early for fear of missing a better deal closer to the performance. 

While early-booking discounts are nothing new, Advance Pick brings these value-led ticket options together in one place for the first time, creating a dedicated destination where audiences can easily discover eligible shows. 

The option locks in a discounted price on selected shows and lets buyers choose their exact seat and date.

Rather than searching across multiple platforms for early bird-booking deals, audiences can browse a regularly refreshed selection of shows in one place and secure great seats at great prices well in advance. 

Unlike last-minute deal sites, which either allocate random seats or you only get what's left, Advance Pick gives full control over seat selection at the point of booking - removing what is one of the main barriers to early purchasing, according to London Theatre Direct. 

Designed to be always on, Advance Pick works directly with producers to release new offers over time, helping theatres fill seats further in advance while giving audiences an earlier chance to lock in the best price. Customers can also sign up with London Theatre Direct for updates if a wish-list show is not yet available.

"The biggest thing we hear from customers is 'what if it gets cheaper?'" Johan Oosterveld, CEO of London Theatre Direct told That's Books and More.

"Advance Pick settles that. You pick your seat, you lock in the price, and if it drops anywhere else, we match it. There's no reason to wait and gamble on what's left."

Advance Pick is now available via London Theatre Direct across selected West End shows and performances, with more shows joining the line-up in the coming weeks.

FACTFILE:

London Theatre Direct is the leading & longest running online platform for booking theatre tickets in London's West End, offering a variety of shows from popular musicals to plays and operas

Founded in 1999, it was one of the first UK companies to sell theatre tickets online, pioneering the digital ticketing market. Over the years, it has partnered with major theatres and producers, providing users with real-time availability and exclusive offers.

https://www.londontheatredirect.com

That's Health: Derby’s OperaBabes concert set to be First Steps E...

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Friday, 20 March 2026

Kanye West Brings the Biggest Show of the Year to Portugal

Ye returns to Portugal on August 7 with a major stadium show at Estádio do Algarve

Ye (Kanye West) will return to Portugal on August 7, with a major stadium show at Estádio do Algarve, marking his first performance in the country since 2011. 

Widely regarded as one of the most influential and disruptive artists of this century, he brings with him the new album Bully, set for release on March 27, alongside an ambitious, large-scale production never before seen in the country.

The event, promoted by GUEST, is set to position Portugal firmly on the European circuit of major concerts. The show is expected to attract tens of thousands of national and international fans, reinforcing the Algarve's role as a key destination for large-scale cultural events.

The waiting list opens on March 20 at 9 am, with exclusive early access to tickets for registered users starting March 24 at 9 am. General ticket sales begin on March 26.

All tickets will be available at yeliveportugal.com

European Tour Dates

Ye's European tour kicks off on May 30 in Istanbul, passing through some of the continent's largest venues:

•May 30 — Istanbul, Turkey

•June 6 — Arnhem, Netherlands (GelreDome)

•June 11 — Marseille, France (Orange Vélodrome)

•July 18 — Reggio Emilia, Italy (RCF Arena)

•July 30 — Madrid, Spain (Riyadh Air Metropolitano)

•August 7 — Algarve, Portugal (Estádio do Algarve)

This run of dates marks Ye's return to major European stages more than a decade later, with a tour designed for stadiums and large-scale venues, underlining the scale and significance of this new phase.

Thursday, 19 March 2026

David Macaulay, Mammoths, and the Books That Built a Cult Following

If you grew up with a fascination for how things work, or found yourself strangely charmed by woolly mammoths operating complex machinery, then you’ve likely encountered the work of David Macaulay

His “Mammoth” books are more than just educational titles; they’ve quietly developed a loyal, almost cult-like following across generations of readers.

The Birth of the Mammoth Universe

The origins of Macaulay’s mammoth-led storytelling trace back to his landmark book The Way Things Work. Originally conceived as a detailed guide to machines and engineering principles, the book could easily have become dry and inaccessible.

Instead, Macaulay introduced a brilliantly unexpected twist: woolly mammoths.

These prehistoric creatures appear throughout the book operating levers, pulleys, engines and even early computers, adding humour, personality and narrative to what might otherwise have been dense technical diagrams. The result? A book that teaches complex science while making readers smile.

As Macaulay himself noted, the mammoths weren’t just decorative, they were a way to make learning feel less intimidating and more human.

From Teaching Tool to Cultural Icon

The mammoths didn’t stop at one book. They became a recurring motif in later works such as Mammoth Science: The Big Ideas That Explain Our World, where they guide readers through topics like physics, biology, and chemistry.

What makes these books stand out is their unique blend of:

Detailed, hand-drawn illustrations

Accessible explanations of complex ideas

Playful, slightly absurd humour

A consistent visual “language” anchored by the mammoths

In Mammoth Science, the creatures even act out processes like digestion or energy transfer in inventive, visual ways, turning abstract concepts into something tangible and memorable.

Why the Cult Following?

So how did these books move beyond popular success into cult territory?

1. Nostalgia Meets Intelligence

Readers often discover Macaulay as children, but return to his books as adults. The layered approach means the content grows with you. What begins as fun illustrations becomes a deeper appreciation of engineering, design, and science.

2. A Distinctive Visual Identity

In a world of increasingly digital and disposable content, Macaulay’s meticulous, hand-crafted illustrations feel timeless. Each page invites slow reading and exploration, something rare today.

3. Humour That Respects the Reader

The mammoths aren’t just jokes; they reflect the reader’s own confusion when faced with complex ideas. They “learn alongside you,” making the experience relatable rather than patronising.

4. Word-of-Mouth Legacy

Online communities still share fond memories of these books, with readers recalling “amazing illustrations” and the “whimsical mammoths” that made learning unforgettable.

That kind of emotional connection, passed from one generation to the next, is the hallmark of cult status.

More Than Just Books

The influence of Macaulay’s mammoth universe even extended beyond print. Adaptations like The Way Things Work TV series brought the concept to new audiences, reinforcing the idea that education and entertainment don’t have to be separate worlds.

The Enduring Appeal

At a time when educational content is often rushed, simplified, or algorithm-driven, David Macaulay’s work stands as a reminder of something powerful:

Learning can be beautiful

Complexity can be approachable

And sometimes, the best guide through modern technology…

is a slightly bewildered woolly mammoth

Final Woolly Mammoth Thoughts

David Macaulay’s Mammoth books aren’t just educational tools, they’re cultural artefacts that have quietly shaped how generations understand the world. Their cult following isn’t accidental; it’s earned through originality, craftsmanship, and a genuine respect for the reader’s curiosity.

For many, those mammoths weren’t just characters.

They were the first companions on a lifelong journey of discovery.

To order your David Macauley's books from the That's Books and More online bookshop (yes, we get a small cut from every order) please visit https://amzn.to/3NOKPM0

Kent's Leeds Castle Opens Major New Eleanor of Castile Exhibition Featuring World’s First Interactive AI Avatar


Leeds Castle has announced the opening of ‘Pilgrimage of Love: Eleanor of Castile’, a major new exhibition featuring the world’s first interactive historical AI avatar, that is aware of, and responsive to, its environment.

The exhibition explores the life and legacy of Eleanor of Castile (1241–1290), the formidable Queen of England and first female owner of Leeds Castle. 

Through original research, immersive interpretation, and innovative technology, the exhibition sheds new light on one of medieval England’s most remarkable yet overlooked queens, in an unprecedented showcase. 

By foregrounding her life, experiences and character, the exhibition opens up fresh perspectives on her personal narrative, values, and complexities, revealing how her story continues to resonate today.

Dr Dominique Bouchard FRHistS FSA, Heritage and Engagement Director at Leeds Castle told That's Books and More: "What's most exciting about this project is the way it brings people into a more human relationship with the past. 

"We're always striving to help people connect with the Castle's history in ways that feel alive. This new avatar gives visitors a unique chance to meet Eleanor of Castile as a person with depth and personality.

“The technology allows visitors to ask the questions they want to ask, moving beyond the questions we as curators identified and engaging with the scholarship behind the exhibition. It allows us to share a meticulously researched story in a format that feels immediate and personal, inviting visitors to explore Eleanor’s world with curiosity and confidence. That sense of connection has always been at the heart of heritage interpretation, and this exhibition opens up a new way of creating it."

The exhibition, starting in the historic Gloriette built by Eleanor in 1278, explores her politically savvy marriage to King Edward I, extensive travels on crusade, and role as a landowner and businesswoman. This narrative presents Eleanor as a powerful and complex queen in her own right, redefining what it meant to rule as a medieval woman.

Visitors will culminate their experience with An Audience with a Queen, featuring the world’s first AI avatar, developed by SKC Studios, creators of the AI platform 1956 Individuals. Unlike traditional digital interpretation, the avatar is aware of her surroundings and recognises when a visitor approaches. She responds directly to questions, creating a dynamic, unscripted conversation that bridges seven centuries of history and transforms the visitor from observer to participant.

Babita Devi, Co-Founder & Chief Commercial Officer at SKC Studios, told us: “We're proud to partner with Leeds Castle on a project that fundamentally reshapes how history is accessed and experienced. 

Through 1956 Individuals, information moves beyond static interpretation to become intelligent, responsive and immediate, empowering visitors to ask their own questions and engage with the past in real time. 

"This marks a step change for the cultural sector. It demonstrates what forward-thinking cultural stewardship truly means: safeguarding the integrity of heritage while using pioneering technology to unlock deeper, more dynamic access to knowledge for a new generation.”

Eleanor of Castile transformed Leeds Castle into a royal symbol of refinement and luxury, establishing it as a distinctly ‘queenly’ possession. Her influence directly shaped the royal English court through the introduction of cosmopolitan European culture, including tapestries, carpets, and tableware. Eleanor also significantly enhanced the Castle’s architecture, evolving it from a Norman fortress into the elegant structure we see today.

Pilgrimage of Love: Eleanor of Castile

• Opens Monday 9 March 2026 at Leeds Castle, Kent

• Included in admission ticket

• Explores the life and legacy of Leeds Castle’s first female owner

• Features the world’s first interactive historical AI avatar

 www.leeds-castle.com

Wednesday, 18 March 2026

Dare You Read This Before Bed?

If you’re looking for something bold, unsettling, and impossible to put down, “No Lips to Scream With” is exactly what your bookshelf has been missing.

Published through The Rann Street Press and available now on Amazon Kindle, this gripping collection delivers ten unforgettable short stories that cut across genres — from chilling horror and eerie modern ghost tales to sharp mystery and thought-provoking science fiction.

Each story pulls you in fast… and refuses to let go.

And right now? It’s an absolute steal.

For just £0.99, you’re getting a full collection designed to unsettle, intrigue, and keep you turning pages long after you meant to stop.

At the heart of it all is the haunting title story:

“No Lips to Scream With.”

What would you do if you needed to scream…

but suddenly realised your lips were gone?

Disturbing. Original. Impossible to forget.

If you enjoy stories that linger in your mind long after the final line, this is your next read.

Download it. Read it. Try not to think about it afterwards.

You can download it here:- https://amzn.to/3Pgn6oq

Tuesday, 17 March 2026

Scotland's Oldest Heritage Charity Launches Global £1.5m Campaign Against the Clock

Scotland’s oldest heritage organisation has launched a £1.5 million campaign to secure a permanent home in Edinburgh ahead of its 250th anniversary.  

The Society of Antiquaries of Scotland works to ensure Scotland's past is for everyone to research, share, enjoy and protect, across the UK.

Yet it currently operates from an inaccessible top-floor flat within the National Museum of Scotland complex, limiting its ability to engage with the public and collaborate across the sector.

The proposed heritage hub would establish Scotland’s first national heritage hub. Here, academics, visitors and anyone curious about Scotland's past can explore their heritage and engage directly with the work of protecting Scotland's history.

The Society is seeking to purchase a building which sits within the historic southern gateway area to Edinburgh, part of a cultural quarter which attracts more than 10 million visitors annually. The building is offered at a fixed price of £2.1 million until January 2027.

Founded in 1780 and incorporated by Royal Charter in 1783, the Society is Scotland's oldest heritage charity. Its early Fellows contributed collections that formed the foundation of the National Museum of Scotland's Scottish history and archaeology galleries. Today, the Society facilitates research and innovation through grants and awards, advocates as a voice for heritage, and shares knowledge through a multifaceted programme of lectures and resources.

The Society is contributing £600,000 from its own investments and must raise the remaining £1.5 million by January 2027 to secure the opportunity.  

The campaign carries particular significance as the Society approaches its 250th anniversary in 2030, marking a quarter millennium of scholarship and research.    

Diana Murray CBE HonFSAScot, President of the Society of Antiquaries of Scotland, told That's Books and More: "For centuries, this small corner of Edinburgh has been a gateway to Scotland's past.

"We now have a rare and time-sensitive opportunity to secure this building and open our doors properly for the first time in our modern history, ensuring Scotland's past belongs to everyone, at home and across the world." 

Dr Simon Gilmour FSAScot, Director of the Society of Antiquaries of Scotland told us: "This is a genuine once-in-a-lifetime alignment of opportunity, affordability and historic significance. 

"The building sits at the very heart of Edinburgh's cultural quarter, beside the National Museum of Scotland, within a UNESCO World Heritage Site, in an area attracting over ten million visitors a year. We invite everyone who cares about Scotland's past to help us secure it.” 

Professor Elizabeth Ewan FSAScot, Professor Emerita of Scottish Studies and History, University of Guelph, Ontario, who has been a Fellow since 1985, added: "From Canada I have seen first-hand how deeply Scotland's history runs in people across the world. 

"The Society of Antiquaries of Scotland has been at the heart of Scottish historical scholarship for nearly 250 years, connecting researchers and heritage enthusiasts across the globe. A permanent home would transform what the Society can offer to that global community." 

How to Support the Campaign 

A Primary Donor giving £1 million or more may name the building, with their name, coat of arms or corporate logo displayed on the exterior. 

Gold Donors giving £200,000 or more will have their name, coat of arms or corporate logo displayed in the boardroom. In doing so, each major donor will be inscribed into Scotland's story and become a part of the nation's history.

Qualifying donors who do not already hold a coat of arms will be supported by the Society in preparing a petition for a grant of arms to the Lord Lyon King of Arms. All petitions are assessed independently by Lord Lyon on their individual merits. 

Donors of £10,000 or more will join the 21st-Century Founding Circle, with access to exclusive events, both in person and online, as well as regular updates regarding the Society's research and projects and will be recognised on a dedicated honour roll within the building. Donors of £2,000 or more will be welcomed into The Antiquaries Circle and also enjoy a tailored programme of events.

All donors will also be recognised in a special edition of the Proceedings of the Society of Antiquaries of Scotland, the Society’s peer-reviewed journal which has been published since 1851. Gifts of any size are warmly welcomed, and every contribution brings the Society closer to securing this once-in-a-generation opportunity.

To donate or discuss a major gift, visit www.socantscot.org/heritagehub or contact Deborah Roe, Head of Fundraising, at deborah@socantscot.org

The associated illustrations are artist's impressions.

Lacock Scarecrow Trail Back for 2026 with Children’s Books Theme

The popular Lacock Scarecrow Trail will return to the village which is in Wiltshire on Saturday 11 and Sunday 12 July 2026, bringing a weekend of family fun inspired by the theme “Children’s Books.”

Organised by the Friends of Lacock School, the trail will feature scarecrows created by residents and local businesses based on well known characters from classic and modern children’s stories. Visitors will be invited to explore the village and see how many scarecrows they can spot along the route.

Activities at the school will include tea, coffee and homemade cakes, a tombola, and a raffle with fantastic prizes. A BBQ will be serving burgers and sausages,and ice cream will also be available.

Children can enjoy inflatables and rides from Austin’s Fairground on the school playing field.

A spokesperson for the Friends of Lacock School told That's Books and More: "The Scarecrow Trail is always a wonderful community event. 

"It brings the village together and attracts visitors from across the area while raising funds to support Lacock School."

The event promises a fun family day out while supporting Lacock School and the local village community.

https://www.facebook.com/friendsoflacockschool

Sunday, 15 March 2026

International Read to Me Day: Why Reading Aloud Still Matters

Every year, International Read to Me Day celebrates one of the simplest and most powerful ways to share stories, knowledge, and imagination: reading aloud to others. 

Whether it’s a parent reading to a child at bedtime, a teacher sharing a story in the classroom, or a grandparent bringing a favourite book to life, reading aloud is an activity that strengthens bonds while nurturing a lifelong love of books.

In a fast-paced digital world filled with screens and scrolling, taking the time to read to someone can feel wonderfully old-fashioned, and yet it remains one of the most effective ways to support literacy, emotional development, and learning.

Why Reading Aloud Is So Important

Research consistently shows that children who are read to regularly tend to develop stronger language skills and perform better academically. Hearing stories introduces young listeners to new vocabulary, sentence structures, and ideas long before they are able to read independently.

But the benefits go far beyond literacy.

Reading aloud helps children:

Build stronger listening skills

Develop imagination and creativity

Understand emotions and empathy

Strengthen memory and concentration

Associate books with comfort and enjoyment

For very young children, the sound of a familiar voice reading a story can also create a sense of security and closeness. These shared reading moments often become some of the most treasured childhood memories.

It’s Not Just for Young Children

Although International Read to Me Day often focuses on early childhood literacy, reading aloud can benefit people of all ages.

In schools, teachers reading to students can help make literature more engaging and accessible. Hearing a story performed aloud can transform a text from something abstract on a page into a vivid and emotional experience.

Reading aloud also plays a valuable role in supporting:

Older children who may struggle with reading confidence

People learning English as a second language

Adults with visual impairments

Older people in care homes who enjoy storytelling and companionship

In fact, community reading programmes, library storytelling sessions, and intergenerational reading projects are increasingly popular ways to bring people together through books.

Making Time to Read Together

One of the key messages of International Read to Me Day is that reading aloud doesn’t have to be complicated or time-consuming. Even ten minutes a day can make a meaningful difference.

Simple ways to celebrate the day include:

Reading a bedtime story to a child

Visiting your local library for a storytelling session

Reading a favourite childhood book to family members

Volunteering with a local school or literacy programme

Sharing stories with elderly relatives or neighbours

The most important thing is not which book you choose, but the act of sharing the story.

Stories Build Connections

Books have always been a powerful way to connect people across generations and cultures. When we read to someone else, we are not just sharing words on a page, we are sharing imagination, emotion, and experience.

International Read to Me Day is a gentle reminder that sometimes the most meaningful moments come from the simplest traditions: sitting together, opening a book, and letting a story unfold.

In a noisy and distracted world, reading aloud offers something rare, a quiet space where people can listen, learn, and dream together.