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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, 24 February 2026

Soloists announced for performance of Haydn's "The Creation"

Sheffield music lovers are being promised a spectacular summer evening as Sheffield Chamber Orchestra has announced the three soloists for its forthcoming performance of The Creation on 13 June 2026.

The landmark oratorio by Joseph Haydn will be conducted by John Lyon and performed in collaboration with Sheffield City Choristers, bringing together orchestra, chorus and a distinguished trio of guest soloists.

Taking the soprano role is Claire Lees, a Lancashire-born singer who trained at the Guildhall School of Music and Drama and the Royal Birmingham Conservatoire. 

An alumna of the prestigious Samling Artist Programme and winner of the Wil Keune Mozart Prize, she has appeared at leading venues including Wigmore Hall and Glyndebourne Festival Opera. A member of the Chorus of Opera North, she combines operatic flair with the clarity and poise required for Haydn’s luminous writing.

Joining her is Hartlepool-born tenor Tom Smith, who studied at the Royal Welsh College of Music. Smith has performed with Glyndebourne Festival Opera, Welsh National Opera and the Royal Opera House, Covent Garden, and has worked with internationally renowned conductors. An experienced recitalist and oratorio singer, he brings both dramatic presence and lyrical warmth to the role.

Completing the trio is Derbyshire baritone Andrew Randall. A graduate of the Royal Birmingham Conservatoire, Randall has appeared with Opera North and The Grange Festival in a wide range of principal and cover roles. Alongside his performing career, he teaches singing at several schools and sings regularly at Sheffield Cathedral, giving him strong local ties.

Haydn’s The Creation remains one of the most celebrated choral-orchestral works ever written. First performed in 1798, it depicts the Biblical story of the world’s formation, from chaos and darkness to the radiant chorus “And there was light.” Its vivid orchestration, dramatic storytelling and joyful final choruses have ensured its place as a cornerstone of the repertoire.

Conductor John Lyon, well known to Sheffield audiences for his energetic and engaging approach, will lead the combined forces in what promises to be a highlight of the city’s summer cultural calendar.

Before that, the orchestra turns its attention to its next concert, Great Classical Masterpieces, on 21 March 2026. The programme features Egmont Overture by Ludwig van Beethoven, Violin Concerto No. 1 by Max Bruch performed by Sheffield-born rising star Esme Greenwood, and Symphony No. 2 by Johannes Brahms — a programme of orchestral favourites that showcases the ensemble at full strength.

Further details and ticket information for both concerts are available via the Sheffield Chamber Orchestra website www.SCOrchestra.uk

Monday, 23 February 2026

Special Guest Iain Lauchlan Joins Coventry Orchestra for World Poetry Day Concert

The Heart of England Co-operative Concert Orchestra invites the local community to a vibrant and imaginative Spring Concert celebrating World Poetry Day through music and spoken word.

Taking place at 3pm on Saturday 21st March at Methodist Central Hall, Warwick Lane, Coventry, CV1 2HA, this special concert will feature guest narrator Iain Lauchlan, bringing poetry and storytelling together with thrilling orchestral favourites.

The programme promises something for all ages, including the swashbuckling adventure of Pirates of the Caribbean, the dramatic intensity of Hall of the Mountain King, and the playful brilliance of Jabberwocky!,  alongside many more musical surprises inspired by literature, legend and imagination.

All proceeds from the concert will go towards Earlsdon Carnegie Community Library, supporting its vital work as a community hub promoting literacy, learning and access to books for all ages. By attending, audiences will be helping to sustain a valued local resource at the heart of Coventry.

Tickets are priced at £11 for adults, £8 concessions, and just £1 for under 16s. Tickets are available online via Ticketsource and on the door.

Now in its 107th year, the Heart of England Co-operative Concert Orchestra continues to play a central role in Coventry’s musical life. Proudly sponsored by the Heart of England Co-operative Society, the orchestra brings together musicians from across the region to share live music while raising funds for important community causes. 

In 2025, they raised over £3,500 for charities including Coventry City Mission, Global Care, the Durrell Foundation, and MacMillan Cancer Care.

Join them for an afternoon of music, poetry and adventure, and raise funds for a valued local resource at the same time!

https://www.coventrycooporchestra.org.uk

That's Books and More will be carrying more information on World Poetry Day, so please keep an eye open for that. 

Tuesday, 17 February 2026

Legacy Youth Zone, Croydon Appoints DJ Semtex as Music Ambassador

Legacy Youth Zone Croydon is proud to announce the appointment of renowned broadcaster, DJ, and music tastemaker DJ Semtex as its official Music Ambassador, reinforcing the organisation’s commitment to nurturing the next generation of creative talent in Croydon and beyond.

As Music Ambassador, DJ Semtex will support Legacy Youth Zone’s growing creative and music programmes, helping to inspire young people through mentorship, industry insight, and advocacy. 

His involvement marks a significant milestone for the Youth Zone, which has become a vibrant hub for emerging artists, producers, lyricists, and songwriters.

DJ Semtex brings decades of experience at the forefront of British music culture, having played a pivotal role in championing UK talent on both national and international stages. His passion for youth development and authentic creative expression aligns strongly with Legacy Youth Zone’s mission to provide young people with access to opportunities, resources, and safe spaces to explore their potential.

Legacy Youth Zone has been supported by funding from Sony Music UK’s award-winning Social Justice Fund, an extension of Sony Music Group’s $100m global initiative whose mission is to tackle injustice and racism by empowering organisations that drive social change. DJ Semtex is also a founding member of the UK Social Justice Fund.

Speaking on his new role, DJ Semtex told That's Books and More: "The Legacy Youth Zone is an amazing home to Croydon's emerging artist community. It is truly inspiring to see the next generation of lyricists, songwriters, and producers working together to create genre-defining music.

"It's important we give these young creatives the necessary support, guidance, and direction that they deserve. All of these artists have the potential to be the next Dave, Raye, or Olivia Dean, British artists who have an immense global impact."

Legacy Youth Zone offers state-of-the-art creative facilities, including music studios and performance spaces, designed to empower young people aged 8-19 or up to 25 with additional needs to develop their skills and confidence. The appointment of DJ Semtex further strengthens the Youth Zone’s ambition to bridge the gap between grassroots talent and the creative industries.

Myke Catterall, CEO of Legacy Youth Zone, added: “We are obviously incredibly excited to have someone with such a unique insight into the music industry. 

"Since we first began working with DJ Semtex in November, he has been a passionate champion of our young people, offering mentorship, radio support, and always making himself approachable and available. We’re really looking forward to what this partnership will bring over the coming years.”

This partnership signals an exciting new chapter for Legacy Youth Zone as it continues to champion creativity, inclusion, and opportunity for young people.

https://legacyyouthzone.org

Wednesday, 28 January 2026

Yamaha Music London Opens Applications for 2026 Ambassador Competition

Yamaha Music London has announced the return of its flagship Yamaha Music London Ambassador Competition, now in its fourth year, offering unsigned solo artists and duos a powerful platform to accelerate their careers.

Open to UK-based artists within easy reach of London, the programme will select three Yamaha Music London Ambassadors for 2026, providing them with industry mentorship, professional recording opportunities, marketing and PR support, and the chance to represent the iconic music store for twelve months.

“This could be the moment that changes everything.”

The competition has already proven itself as a launchpad for breakthrough talent. Previous Ambassadors—including Cian Downing, Codyy, Kevin Davy White, Matt Kent, and Liv Lester—have gone on to perform at major venues across London and Europe, release critically praised music, and collaborate with Yamaha Music London on professional video content.

“Winning the Yamaha Music London Ambassadorship has been a huge step forward for my career.”

— Cian Downing, Yamaha Music London Ambassador

Winners will receive a comprehensive prize package, including an official 12-month ambassadorship, a Yamaha instrument, one-to-one industry mentorship, professional studio recording time, a high-quality showcase video, and inclusion in Yamaha Music London’s 2026 digital marketing campaigns.

Shortlisted artists will compete in live showcases in London, with semi-finals taking place between 18–20 March 2026 and the grand final held on 26 March 2026 at Yamaha Music London.

HOW TO ENTER

Artists must submit a 1–3 minute video showcasing their musical ability while performing original music.

CLOSING DATE: Sunday 1st March at 23:59

Enter here: https://bit.ly/4r5upNs

Terms & Conditions: https://bit.ly/49sQI7X

Applicants must be aged 18+, UK-based, unsigned, and able to perform live. Full eligibility details are available in the Terms & Conditions.

Tuesday, 25 November 2025

Music for Dementia and the University of Sheffield convened industry roundtable to address "forgotten generation" locked out of music

Music for Dementia and the Muses, Mind, Machine (MMM) research centre at the University of Sheffield last week co-hosted an industry roundtable.

They brought together technology manufacturers, accessibility experts, record labels, radio professionals and dementia sector leaders to tackle critical barriers preventing older adults and people living with dementia from accessing music.

The Music Made Easy Roundtable, held at children’s audio platform Yoto’s HQ in London, represents the first in a series of industry events run by Music for Dementia to support their Music Made Easy campaign, launched in September 2025 to challenge accessibility gaps across the music and technology sector.

The event convened more than 19 senior representatives including Universal Music Group, BPI, BBC, Music for Dementia partner Yoto and leading independent advocates – alongside research experts from the University of Sheffield's BRIDGES for Dementia Network, which focuses on designing and applying technology to empower people with dementia.

Discussions centred on device accessibility, platform design, the need to co-design alongside lived experience advisors and the commercial and cultural case for prioritising older audiences.

Participants explored critical questions: How can we ensure people living with dementia are integrated into the design process from day one? How can we change licensing restrictions to support easy access to music? How can we better communicate existing tools and support? Most importantly: how can we work together to drive progress?

The roundtable discussion revealed that there are pockets of real progress being made by individual organisations and sectors, yet everyone agreed that it would take industry collaboration to create real progress. To this end Music for Dementia and The University of Sheffield will be spearheading a new taskforce to improve music accessibility for people living with dementia.

Karim Fanous, Director, Innovation and New Digital Business, Global Digital Strategy at Universal Music Group said: “Music for wellness and health is a vital area in our search for startups and support of entrepreneurial innovation that might add value to music and society. 

"Music for Dementia and the University of Sheffield are initiating an important multi-stakeholder project which we will be honoured to support alongside UMG Health and Wellness.”

Emily Ingram, General Manager, Sollos, UMG Health and Wellness said: “Music can be an enjoyable and effective way to improve lives, whether it’s for people living with dementia or struggling with everyday stress and low mood. Accessibility matters, and UMG’s Sound Therapy project on Apple Music, alongside our in-house Sollos research programme, are key components of our ongoing efforts to make these benefits more widely available. 

"Through Sollos and our health and wellness partners, we are starting to see what is possible when music, science and technology come together. Music for Dementia is driving vital progress and we are proud to support it.”

Aleksandra Gojkovic, Senior Design Researcher, User Experience and Design at BBC said: “A big thank you to Music for Dementia and all contributors for sharing their insights, research and work and for facilitating an open and productive conversation about such an important issue of making music more accessible. At the BBC, universality is at the heart of what we do. Ensuring that everyone can experience and enjoy the power of music is an important part of that mission.”

Hailey Willington, BPI Head of Diversity, Equity and Inclusion, said: “Music for Dementia's roundtable brought together the music ecosystem, from record labels to people with lived experience, to explore the barriers preventing people living with dementia from accessing the music that matters to them. Music should be accessible to all, and by working together, we can redefine what accessible music technology looks like and ensure that it can serve everyone, not just digital natives."

Howard Gordon, Chair of Meeting Centres England, Co-Chair of Deepness Dementia Media Ltd, and advisor from BRIDGES for Dementia Network, said: "In the words of Ronald Coleman ‘true co-production starts with a plain piece of paper.’ People living with dementia should drive co-production of new product designs from the start. They know what's needed better than anyone. They are rights holders and human beings, and shouldn’t be defined by their diagnosis."

Recent Music for Dementia research with 1,000 family carers of people living with dementia reveals the scale of the problem: only 3 in 10 older family carers are able to stream music with their loved one. Age UK research paints a similar picture – they found that 6 in 10 internet users aged 65 or over never use the internet to stream music or videos.

"The generation that created popular music is now increasingly locked out of it," says Amy Shackleton, Programme Lead, Music for Dementia. "This important roundtable event challenged attendees with a fundamental question: what is needed to make music more accessible for older people, especially those living with dementia that need it the most? The answer is clear – we need cross-sector collaboration, better design practices and a commitment to co-production with users and carers.

“I’m really encouraged by our first Music Made Easy industry roundtable event. There was real energy and passion from attendees to improve access to music for older people. We went in wanting a commitment from people to join a new taskforce, and we are really pleased that so many want to be part of this journey.”

The roundtable included findings from Music for Dementia’s Yoto Player trial, which adapted the popular children’s audio player for people living with dementia. It found 92% of participating families would recommend screen-free music devices for older people.

Dr Jennifer MacRitchie also presented the co-designed devices and research findings from the Music, Dementia, Technology project at the University of Sheffield. Here, people living with dementia were involved in developing devices for playback of familiar music, devices for creating new music, and for improvising along with a musical jamming partner, reflecting the diversity and breadth of technology possibilities.

In the UK there are 940,000 people living with dementia, and this figure is projected to rise to 1.5million by 2040. Research shows music can alleviate agitation and distress, support identity and self-hood, bring back memories and even abilities thought lost, create moments of connection and joy and overcome isolation.

https://www.musicfordementia.org.uk/music-made-easy

To learn more about the amazing Yoto players please visit https://thatschristmas.blogspot.com/2025/09/the-yoto-player-and-yoto-mini-world-of.html

Wednesday, 31 January 2024

Expert judges hinder womens’ chances of winning music competitions

Expert judges are biased against women entrants in top international music competitions, but audiences made up of the public do not display this bias, new research from Vienna University of Economics and Business (WU) shows.

Assistant Professor of Economics at WU, Dr Roberto Asmat, drew on new data to find that being female reduced the chances that an expert jury would rank a contender first.

The results of this research are important as the benefits of winning a prize are significant for early-career musicians.

Dr Asmat found that audience and expert judgements match only 38% of the time.

The study also found while winning a jury-awarded first prize does not predict future success in music competitions, winning an audience prize does. Audiences are therefore at least as good, and possibly better, at identifying quality than expert juries.

The research suggests that juries may be more biased due to their small size, whereas the larger size of an audience averages out peculiar opinions, a finding that is consistent with the empirical literature on the wisdom of crowds.

“While the question “what is high quality art?” remains unanswered, we add a further observation, namely that specialists are not always reliable adjudicators of artistic quality, and, at least on some dimensions, may be outperformed by the lay public”, says Dr Asmat.

The data studied covered 40 years and drew from 370 international music competitions in which both expert juries and public audiences chose a winner from a set of finalists, and the findings were published in the Journal of Economic Behavior and Organization.

(Image courtesy of Bernd Everding from Pixabay)