The Ten Questions to Ask For Success is a very lively and helpful book by acknowledged expert Phil Parker.
What use is a self help book that doesn't give you any answers?
In his latest book, Phil points out that the most important discovery he has made in over two decades of working in the field of personal development is this: providing solutions, advice suggestions or answers does not always help everyone.
Phil opines that there can be a problem with just providing the answer to a particular problem, or set of problems. Because if people do not go through the process of finding their own solution, the next time they are faced with another problem, they will tend to turn for help again. (EDITOR: I think it is also referred to as 'learned helplessness'.)
Parker takes the position that learning the skill of creating our own solutions lets us become more independent and skilled at finding and making the right choices and decisions for ourselves, not merely relying on other people for the answers all the time.
Parker points out that it is all about learning to ask what he describes as the key questions, at the right time in order for us to reach the right solution.
He has distilled these to a list of ten key questions. Questions which will, argues Parker, prove to be powerful tools to enable you to draw on the fields of personal and spiritual development, business, psychotherapy, cognitive behavioural therapy, hostage negotiation (yes, really!) that should see you equipped to make "great decisions" in all aspects of your life.
Parker has used these techniques to help thousands of his clients to help themselves or other people to rid them of stress, worry, feeling dis-empowered, unmotivated or frustrated and can help them identify and counter self-sabotage.
Parker feels that if you read his book you will be able to feel more motivated, be better able to motivate others, find solutions in a calm, collected manner, even when under extreme stress, design your dreams and achieve them, ensure all the relationships in your life (be they work or life related) work well, flourish and fulfil you.
You'll also be able to manage your business affairs in a more effective way. Whilst also offering assistance to others to help them, too.
The book is out now. It is published by Hay House in paperback at £10.99.
The author Phil Parker is a qualified NLP practitioner, osteopath, hypnotherapist and an executive coach.
He operates a private practice in London. You can visit his website at www.philparker.org
Book review blog site, with some entertainment material from time-to-time.
Saturday 18 February 2012
Thursday 16 February 2012
A Dictionary of Forensic Science
A Dictionary of Forensic Science is an important book on this very diverse field.
There are over 1,300 entries, some with very helpful illustrations and the book is written in a very clear and entertaining way by Dr Suzanne Bell, one of the leading experts in the field.
If you are a student of forensic science, a forensic scientist or technician, a law student, a barrister, a solicitor, a police officer (long-served or a cadet) a journalist or an author needing to do research for a novel, or even just a fan of CSI on the TV, then this book is one that must be on your bookshelf or in your work bag.
It not only covers forensic terms it also covers relevant jurisprudence terms, engineering references, case histories, biographies of leading figures from the field and gives clear and concise explanations of what the terms used mean.
It also tells you what Luminol is and how it works its apparent magic with blood stains.
It also contains a bibliography for further reading and identifies links to useful websites throughout the book, yet in a way that is totally non-intrusive.
It's out this month in paperback and costs £12.99.
Students should be aware that this is probably a book that you will use until you retire from your chosen field, it really is that good a book, in the opinion of your reviewer.
There are over 1,300 entries, some with very helpful illustrations and the book is written in a very clear and entertaining way by Dr Suzanne Bell, one of the leading experts in the field.
If you are a student of forensic science, a forensic scientist or technician, a law student, a barrister, a solicitor, a police officer (long-served or a cadet) a journalist or an author needing to do research for a novel, or even just a fan of CSI on the TV, then this book is one that must be on your bookshelf or in your work bag.
It not only covers forensic terms it also covers relevant jurisprudence terms, engineering references, case histories, biographies of leading figures from the field and gives clear and concise explanations of what the terms used mean.
It also tells you what Luminol is and how it works its apparent magic with blood stains.
It also contains a bibliography for further reading and identifies links to useful websites throughout the book, yet in a way that is totally non-intrusive.
It's out this month in paperback and costs £12.99.
Students should be aware that this is probably a book that you will use until you retire from your chosen field, it really is that good a book, in the opinion of your reviewer.
“Bird flu will remain a threat as long as factory farms exist” claims author of new book on public health
The author of a pioneering new book on animals and public health, published this month, claims that “as long as factory farms exist; we will continue to be at risk from bird flu”.
Dr Aysha Akhtar, the author of 'Animals and Public Health: Why treating animals better is critical to human welfare', considers that while Bird Flu is currently receiving much attention owing to recent deaths in Vietnam and its potential use in bio-terrorism “We don't need a terrorist to wreak havoc. By confining billions of animals on factory farms, we have created a worldwide natural laboratory for the rapid development of a deadly and highly infectious form of the virus. The stressful and crowded conditions make a perfect breeding ground for new infectious diseases that can harm humans."
The book reveals how the link between how we treat animals and human health goes far beyond bird flu, however. "A significant number of the most urgent health issues we face today are intricately linked with poor treatment of animals.”
The book to be published on 17 February is the sixth volume published as part of the Palgrave Macmillan Animal Ethics book series in partnership with the Oxford Centre for Animal Ethics. In a lively manner, this book describes the link between the way we treat animals and human health across a wide range of health topics.
Dr Akhtar explores the lives of animals in violent homes, factory farms, experimental laboratories, the entertainment industry and the wildlife trade. She reveals how their treatment is related to issues as diverse as domestic violence, the obesity epidemic, the world's most ominous infectious diseases, animal attacks, high-profile drug failures and climate change.
In the first academic text to address the relationship between animals and public health, Dr Akhtar argues that "... public health has long-ignored the relationship between our health and animal treatment, largely owing to a misconception that animal welfare is in opposition to human welfare”.
Using a wealth of scientific information, the book demonstrates that in order to best promote human health, we have to improve our treatment of animals. Dr Akhtar hopes that this book will lead to a new public health paradigm, one that considers animals as part of the "public" in public health.
Aysha Akhtar, M.D., M.P.H., is a neurologist and public health specialist and a Fellow of the Oxford Centre for Animal Ethics. She works for the Office of Counter-terrorism and Emerging Threats of the U.S. Food and Drug Administration. The book is written in her personal capacity and is the result of many years of scientific research.
The Palgrave Macmillan book series is jointly edited by the internationally known theologian the Reverend Professor Andrew Linzey, Director of the Oxford Centre for Animal Ethics, and Professor Priscilla Cohn, Emeritus Professor in Philosophy at Penn State University and Associate Director of the Centre.
Commenting on the publication of Dr Akhtar’s Animals and Public Health, Professor Linzey says, “This is a must read for all those who think caring for animals is a separate issue from human welfare. The scientific evidence marshalled in this book ought to dispel any lingering doubts that a world in which animal abuse goes unchecked is a less safe world for human beings. This first book linking animals to public health is truly ground-breaking."
'Animals and Public Health: Why treating animals better is critical to human welfare', is published on 17 February in both the U.S. and the U.K. priced $85 / £50.
Dr Aysha Akhtar, the author of 'Animals and Public Health: Why treating animals better is critical to human welfare', considers that while Bird Flu is currently receiving much attention owing to recent deaths in Vietnam and its potential use in bio-terrorism “We don't need a terrorist to wreak havoc. By confining billions of animals on factory farms, we have created a worldwide natural laboratory for the rapid development of a deadly and highly infectious form of the virus. The stressful and crowded conditions make a perfect breeding ground for new infectious diseases that can harm humans."
The book reveals how the link between how we treat animals and human health goes far beyond bird flu, however. "A significant number of the most urgent health issues we face today are intricately linked with poor treatment of animals.”
The book to be published on 17 February is the sixth volume published as part of the Palgrave Macmillan Animal Ethics book series in partnership with the Oxford Centre for Animal Ethics. In a lively manner, this book describes the link between the way we treat animals and human health across a wide range of health topics.
Dr Akhtar explores the lives of animals in violent homes, factory farms, experimental laboratories, the entertainment industry and the wildlife trade. She reveals how their treatment is related to issues as diverse as domestic violence, the obesity epidemic, the world's most ominous infectious diseases, animal attacks, high-profile drug failures and climate change.
In the first academic text to address the relationship between animals and public health, Dr Akhtar argues that "... public health has long-ignored the relationship between our health and animal treatment, largely owing to a misconception that animal welfare is in opposition to human welfare”.
Using a wealth of scientific information, the book demonstrates that in order to best promote human health, we have to improve our treatment of animals. Dr Akhtar hopes that this book will lead to a new public health paradigm, one that considers animals as part of the "public" in public health.
Aysha Akhtar, M.D., M.P.H., is a neurologist and public health specialist and a Fellow of the Oxford Centre for Animal Ethics. She works for the Office of Counter-terrorism and Emerging Threats of the U.S. Food and Drug Administration. The book is written in her personal capacity and is the result of many years of scientific research.
The Palgrave Macmillan book series is jointly edited by the internationally known theologian the Reverend Professor Andrew Linzey, Director of the Oxford Centre for Animal Ethics, and Professor Priscilla Cohn, Emeritus Professor in Philosophy at Penn State University and Associate Director of the Centre.
Commenting on the publication of Dr Akhtar’s Animals and Public Health, Professor Linzey says, “This is a must read for all those who think caring for animals is a separate issue from human welfare. The scientific evidence marshalled in this book ought to dispel any lingering doubts that a world in which animal abuse goes unchecked is a less safe world for human beings. This first book linking animals to public health is truly ground-breaking."
'Animals and Public Health: Why treating animals better is critical to human welfare', is published on 17 February in both the U.S. and the U.K. priced $85 / £50.
Monday 13 February 2012
Slanguage classes from a master! The Life of Slang
The Life of Slang by Julie Coleman is the type of book I adore, because it covers a subject I am passionate about, the use of language.
A quote from the book: "Slang is a subject that provokes strong emotions. If you use slang, you run the risk of being judged crass, uneducated, stupid, or hopelessly out of date, but the rewards are great: used correctly, slang will easy your entry into the social circles you want to mix in, increase your attractiveness to the opposite sex, and even save your life."
In this very interesting and linguistically important book Julie Coleman (who is a professor of English Language at the University of Leicester) traces the development of English slang words from the earliest know records to some pretty modern examples by way of the Tweets of today.
It examines how slang is used, why it is used and where it is used. It looks at how slang developed amongst the English-speaking populations of the world.
As part of her research tools Julie Coleman has gone through the records of the Old Bailey and searched through the electronic archives of newspapers which, she points out, have provided a wealth of new information and facts about historical slang. Blogs and other online sites and tweets are a very valuable source of information for studying contemporary slang.
The Life of Slang does not make the mistake of some academic works, it does not assume that the reader is an old hand in the field. It covers slang from the Old English period down through the ages to the modern world.
It's an entertaining and informative read (though based on impeccable scholarly sources) and will teach you exactly what people are saying. You will know the "word on the street and on the tweet". It will teach you some new and interesting words. Some of which are best not used in polite society! Unless you really want ot, of course!
The use of slang can be a jolly good show, make you seem the cat's pyjamas, which might make someone ROFL!
The book will be published on 22 March in hardback by the Oxford University Press at a modest £14.99 or $27.95. Although it should be available for a discount through the That's Books online bookshop.
A quote from the book: "Slang is a subject that provokes strong emotions. If you use slang, you run the risk of being judged crass, uneducated, stupid, or hopelessly out of date, but the rewards are great: used correctly, slang will easy your entry into the social circles you want to mix in, increase your attractiveness to the opposite sex, and even save your life."
In this very interesting and linguistically important book Julie Coleman (who is a professor of English Language at the University of Leicester) traces the development of English slang words from the earliest know records to some pretty modern examples by way of the Tweets of today.
It examines how slang is used, why it is used and where it is used. It looks at how slang developed amongst the English-speaking populations of the world.
As part of her research tools Julie Coleman has gone through the records of the Old Bailey and searched through the electronic archives of newspapers which, she points out, have provided a wealth of new information and facts about historical slang. Blogs and other online sites and tweets are a very valuable source of information for studying contemporary slang.
The Life of Slang does not make the mistake of some academic works, it does not assume that the reader is an old hand in the field. It covers slang from the Old English period down through the ages to the modern world.
It's an entertaining and informative read (though based on impeccable scholarly sources) and will teach you exactly what people are saying. You will know the "word on the street and on the tweet". It will teach you some new and interesting words. Some of which are best not used in polite society! Unless you really want ot, of course!
The use of slang can be a jolly good show, make you seem the cat's pyjamas, which might make someone ROFL!
The book will be published on 22 March in hardback by the Oxford University Press at a modest £14.99 or $27.95. Although it should be available for a discount through the That's Books online bookshop.
Sunday 12 February 2012
Charles Dickens's Networks
Despite the somewhat wonky title (I was always taught that if it was something 'owned' by Dickens, it should be rendered thus: Dickens') this is a extremely readable and very interesting book by Jonathan H. Grossman.
It is an innovative examination of the novels of Charles Dickens, their interesting, multilevel and criss-crossing plots and how the burgeoning transport networks of that time impacted on the novelists of the Victorian era.
It's an original work, which employs a novel approach to literary history with a thought-provoking look at the 19th century novel from the perspective of the transport networks of that time.
It theorises how passenger networks operate and how narrative forms a part of imagining public transport networks.
The author points out that at the same time as Dickens was writing his first novel, The Pickwick Papers, the first railway line in London opened for business.
Charles Dickens's Networks examines the rise of the global, high-speed passenger transport networks of the 19th century and the important impact they made on the works of Charles Dickens.
It looks at the advent of the stagecoach network, the railways and ocean-going steam liners and how they made transport easy for everyone, but also more affordable, too. Journeys that once seemed unattainable could be made in less than a day. And the strict timetables of the railway companies made such travel predictable and reliable, in the main part.
The railway timetables also changed how time was looked at. Before the advent of the railway, each town had its own, separate time. If it was noon in Birmingham it might be 12.15 in London and 12.10 in Manchester. But to avoid railway accidents the whole rail network must run at precisely the same time, so the standardised railway time was introduced which very quickly became the same standardised time for the whole country. We were all synchronised and are to this very day.
Grossman takes a literary microscope to three of the so-called road novels of Charles Dickens and uses them as a sort of a lens to examine the history of how the public transport network changed how we perceive time and how this impacted on community and how the novelist played a key part in bringing this all together and helping us to have some understanding of it.
It is an extremely important book for Dickens lovers, people who enjoy finding out about how the Victorian era is still impacting on our lives today and students of transport history.
The book will cost £25 in hardback and is published on 1 March.
In association with the Oxford University Press, readers of That's Books can have FREE access to the life of Charles Dickens in the prestigious Oxford Dictionary of National Biography. Just visit www.oxforddnb.com/public/dnb/7599.html This free access will last for six months.
It is an innovative examination of the novels of Charles Dickens, their interesting, multilevel and criss-crossing plots and how the burgeoning transport networks of that time impacted on the novelists of the Victorian era.
It's an original work, which employs a novel approach to literary history with a thought-provoking look at the 19th century novel from the perspective of the transport networks of that time.
It theorises how passenger networks operate and how narrative forms a part of imagining public transport networks.
The author points out that at the same time as Dickens was writing his first novel, The Pickwick Papers, the first railway line in London opened for business.
Charles Dickens's Networks examines the rise of the global, high-speed passenger transport networks of the 19th century and the important impact they made on the works of Charles Dickens.
It looks at the advent of the stagecoach network, the railways and ocean-going steam liners and how they made transport easy for everyone, but also more affordable, too. Journeys that once seemed unattainable could be made in less than a day. And the strict timetables of the railway companies made such travel predictable and reliable, in the main part.
The railway timetables also changed how time was looked at. Before the advent of the railway, each town had its own, separate time. If it was noon in Birmingham it might be 12.15 in London and 12.10 in Manchester. But to avoid railway accidents the whole rail network must run at precisely the same time, so the standardised railway time was introduced which very quickly became the same standardised time for the whole country. We were all synchronised and are to this very day.
Grossman takes a literary microscope to three of the so-called road novels of Charles Dickens and uses them as a sort of a lens to examine the history of how the public transport network changed how we perceive time and how this impacted on community and how the novelist played a key part in bringing this all together and helping us to have some understanding of it.
It is an extremely important book for Dickens lovers, people who enjoy finding out about how the Victorian era is still impacting on our lives today and students of transport history.
The book will cost £25 in hardback and is published on 1 March.
In association with the Oxford University Press, readers of That's Books can have FREE access to the life of Charles Dickens in the prestigious Oxford Dictionary of National Biography. Just visit www.oxforddnb.com/public/dnb/7599.html This free access will last for six months.
Saturday 11 February 2012
The Oxford Book of Parodies edited by John Gross
The Oxford Book of Parodies edited by John Gross is what it says on the tin. A collection of parodies, edited by the late John Gross and published by the Oxford University Press.
Nobody is safe from the mordant wit of the satirical parodist! There are well in excess of 120 victims,if one can use that word in this context. The parodied range from Geoffrey Chaucer to John Dryden, from Swift to Lord Chesterfield, from Wordsworth to Cobbett and in more recent times from Clive James to J. K. Rowling and from Amis (that's Martin, not Kingsley) to Leonard Cohen.
Who are the parodists? old hands at the genre like the irrepressible Sellar and Yeatman, with their witty and well-educated parodies of history teaching (1066 and All That) appear in the book as do others who might not be so well-known. There is a parody of Virginia Woolf by Mark Crick, in which he imagines how she would have handled a recipe for a dish involving black cherries and a parody by J. C. Squire of a poem in the style of G. K. Chesterton.
Some of the parodies are splendid and really do capture, but in a slightly warped form, the true essence of the subject who is being parodied, yet some seem to miss the mark and in some instances quite badly, too. The parody of Chesterton by Squire sadly falls into the latter category.
The book is in two parts, part one starting with Anglo-Saxon and Medieval. Ezra Pound's take on Summer is Icumen In is worthy, although perhaps slightly too long, whilst Murie Song by A. Y. Campbell based on the same song is, to be honest, appallingly bad, especially when one considers that he was a poet in his own right!
Part two contains a collection of nursery rhymes, ripostes, stage and screen, and so forth.
This book will keep you amused, bemused and perhaps just a tad confused for many, many hours. It is published in paperback at £9.99 or $17.95. It is, of course, available through the That's Books book shop.
Sadly the editor of the anthology of parodies died in January of this year.
Nobody is safe from the mordant wit of the satirical parodist! There are well in excess of 120 victims,if one can use that word in this context. The parodied range from Geoffrey Chaucer to John Dryden, from Swift to Lord Chesterfield, from Wordsworth to Cobbett and in more recent times from Clive James to J. K. Rowling and from Amis (that's Martin, not Kingsley) to Leonard Cohen.
Who are the parodists? old hands at the genre like the irrepressible Sellar and Yeatman, with their witty and well-educated parodies of history teaching (1066 and All That) appear in the book as do others who might not be so well-known. There is a parody of Virginia Woolf by Mark Crick, in which he imagines how she would have handled a recipe for a dish involving black cherries and a parody by J. C. Squire of a poem in the style of G. K. Chesterton.
Some of the parodies are splendid and really do capture, but in a slightly warped form, the true essence of the subject who is being parodied, yet some seem to miss the mark and in some instances quite badly, too. The parody of Chesterton by Squire sadly falls into the latter category.
The book is in two parts, part one starting with Anglo-Saxon and Medieval. Ezra Pound's take on Summer is Icumen In is worthy, although perhaps slightly too long, whilst Murie Song by A. Y. Campbell based on the same song is, to be honest, appallingly bad, especially when one considers that he was a poet in his own right!
Part two contains a collection of nursery rhymes, ripostes, stage and screen, and so forth.
This book will keep you amused, bemused and perhaps just a tad confused for many, many hours. It is published in paperback at £9.99 or $17.95. It is, of course, available through the That's Books book shop.
Sadly the editor of the anthology of parodies died in January of this year.
InteractBooks Releases Bill the Fish it's Latest Interactive Book for the iPad, iPhone and iPod Touch
In the interactive children’s e-book, Bill the Fish, graphic artist Brett Curzon invites young readers to join him in a delightful journey under the sea, where Bill rides his bike and interacts (virtually!) with a wide range of quirky sea friends. Against a backdrop of beautiful acrylic paintings, the book contains a series of interactive elements and hidden treasures on each page, but with one simple message: Being different is okay.
“Bill the Fish celebrates individuality,” explains Curzon. “It teaches children through a series of wildly differing aquatic characters that we are all meant to be different. It’s okay to be yourself. Quirks and all.”
Curzon had developed a hard copy of the story in 2007 as part of a homework assignment for a graphic design class. He was to create something that could be sold, so he published Bill and brought 100 copies to a local artisan market. The books sold out within a few hours, and Curzon realised that he would need a larger platform for his creativity.
“I began searching for companies that could create an app for me,” said Curzon. “It quickly came to my attention that most companies were going to charge me a large sum of money and heavy residuals in order to send my project off to be coded by programmers in a far-away country.”
With more research, Curzon came across InteractBooks, which features the InteractBuilder tool: “I immediately recognized that there were two distinct advantages to working with InteractBooks. For one, the tool was easy to use and allowed me to retain control over the output; I was able to focus on the creative side without worrying about the technical aspect. And two, the team at InteractBooks made a concerted effort to help me however they could. It’s really more than a company; it’s a community.”
The Background
“My original intent was to write something for my kids,” explains Curzon, whose three children range in age from 10 to 14. “I wanted to help them become more confident and help them deal with challenges in school. When I developed Bill and his relationship to the other characters, I wanted to make the point that they’re all different. Feeling out of place is part of everyday life.”
Curzon is no stranger to the “fish out of water” feeling. A native Australian, he was deeply impressed by the blatant discrimination aimed at his grandmother, who was an aboriginal at a time when that wasn’t accepted: “She was treated quite terribly because of her colour.”
After moving away from home at age 16, Curzon went through an important period of discovery during his early adulthood, exploring a number of countries on several continents. Over the course of six years, Curzon found himself in Indonesia, Peru, Bolivia, Fiji, Samoa, Malayisa, Mexico, Canada, and the United States (California). He learned an important lesson along the way.
“I made friends with people who were living in abject poverty, including a close friend who lived with his mother in a cardboard box,” Curzon recalls. “They are the happiest people you meet. They aren’t concerned with accumulating wealth; they are family-orientated.”
He married his soul mate, Tracy, and moved back to Australia, settling into his role as a construction worker, despite what he describes as “miserable” circumstances. Curzon was forever changed when he was injured on a construction site where he had been a day labourer for eight years. Once a sponsored surfer, he was devastated that he could no longer surf, and he was forced to make a career change that didn’t involve manual labour.
Curzon was accepted into a graphic design program at The Hunter Institute of Technology with the help of a little white lie: “Ironically, I was applying to a school of technology, but I had never actually turned on a computer prior to joining the programme,” he recalled. Nevertheless, he completed the two-year programme successfully, ranking second in a class of 60 students.
A lifelong painter and visual artist, Curzon found graphic design a manageable trade, more in line with his creative instincts than the construction field. Yet, designing CD covers and returning commissioned art remained a profitable trade and not a source of enjoyment.
With the unflappable support of his family, Curzon discovered that writing children’s books was the best antidote for dealing with the fast-paced nature of the world. “Kids don’t complicate things. Writing these books reminds me that there’s a beautiful simplicity to life, and it’s just beneath the surface.”
The importance of individuality is equally simple, but not always obvious. “If a diver were to judge an oyster by its shell on the outside, he might never discover the beautiful pearl inside,” Curzon relates. “I like to remind my young readers of the importance of this idea, so I sign their books with this message. I say: ‘Always look a little deeper.’”
About InteractBooks, LLC.
InteractBooks provides tools for non-programmers to create high-quality e-books, and other media in an interactive format that make effective use of touch-screen tablets and smartphone devices. Currently available for the iPad, iPod Touch and iPhone devices, the app will soon be running on Android devices including the Amazon Kindle Fire, Barnes and Noble Nook Tablet. The app is also being ported to run on Windows Phone devices later this year.
The InteractBooks App is available as a free downloadfrom the Apple iTunes App Store. Browsing the InteractBooks Store directly from the App, users can download from a growing library of interactive children's e-books (also known as InteractBooks), there are a couple of free books available for download too.
The InteractBuilder is also a free software download which runs on Macs and Windows PC's that works in conjunction with the InteractBooks App allowing users to create their own interactive books. With the help of a comprehensive library of video tutorials and a network of technical support, the tool has become the most effective resource for children’s book authors, illustrators and presenters wishing to enter into the wonderful world of interactive media. In addition to featuring books in it's own interactive book store, InteractBooks also offers the ability to publish interactive books as stand alone apps. www.interactbooks.com
“Bill the Fish celebrates individuality,” explains Curzon. “It teaches children through a series of wildly differing aquatic characters that we are all meant to be different. It’s okay to be yourself. Quirks and all.”
Curzon had developed a hard copy of the story in 2007 as part of a homework assignment for a graphic design class. He was to create something that could be sold, so he published Bill and brought 100 copies to a local artisan market. The books sold out within a few hours, and Curzon realised that he would need a larger platform for his creativity.
“I began searching for companies that could create an app for me,” said Curzon. “It quickly came to my attention that most companies were going to charge me a large sum of money and heavy residuals in order to send my project off to be coded by programmers in a far-away country.”
With more research, Curzon came across InteractBooks, which features the InteractBuilder tool: “I immediately recognized that there were two distinct advantages to working with InteractBooks. For one, the tool was easy to use and allowed me to retain control over the output; I was able to focus on the creative side without worrying about the technical aspect. And two, the team at InteractBooks made a concerted effort to help me however they could. It’s really more than a company; it’s a community.”
The Background
“My original intent was to write something for my kids,” explains Curzon, whose three children range in age from 10 to 14. “I wanted to help them become more confident and help them deal with challenges in school. When I developed Bill and his relationship to the other characters, I wanted to make the point that they’re all different. Feeling out of place is part of everyday life.”
Curzon is no stranger to the “fish out of water” feeling. A native Australian, he was deeply impressed by the blatant discrimination aimed at his grandmother, who was an aboriginal at a time when that wasn’t accepted: “She was treated quite terribly because of her colour.”
After moving away from home at age 16, Curzon went through an important period of discovery during his early adulthood, exploring a number of countries on several continents. Over the course of six years, Curzon found himself in Indonesia, Peru, Bolivia, Fiji, Samoa, Malayisa, Mexico, Canada, and the United States (California). He learned an important lesson along the way.
“I made friends with people who were living in abject poverty, including a close friend who lived with his mother in a cardboard box,” Curzon recalls. “They are the happiest people you meet. They aren’t concerned with accumulating wealth; they are family-orientated.”
He married his soul mate, Tracy, and moved back to Australia, settling into his role as a construction worker, despite what he describes as “miserable” circumstances. Curzon was forever changed when he was injured on a construction site where he had been a day labourer for eight years. Once a sponsored surfer, he was devastated that he could no longer surf, and he was forced to make a career change that didn’t involve manual labour.
Curzon was accepted into a graphic design program at The Hunter Institute of Technology with the help of a little white lie: “Ironically, I was applying to a school of technology, but I had never actually turned on a computer prior to joining the programme,” he recalled. Nevertheless, he completed the two-year programme successfully, ranking second in a class of 60 students.
A lifelong painter and visual artist, Curzon found graphic design a manageable trade, more in line with his creative instincts than the construction field. Yet, designing CD covers and returning commissioned art remained a profitable trade and not a source of enjoyment.
With the unflappable support of his family, Curzon discovered that writing children’s books was the best antidote for dealing with the fast-paced nature of the world. “Kids don’t complicate things. Writing these books reminds me that there’s a beautiful simplicity to life, and it’s just beneath the surface.”
The importance of individuality is equally simple, but not always obvious. “If a diver were to judge an oyster by its shell on the outside, he might never discover the beautiful pearl inside,” Curzon relates. “I like to remind my young readers of the importance of this idea, so I sign their books with this message. I say: ‘Always look a little deeper.’”
About InteractBooks, LLC.
InteractBooks provides tools for non-programmers to create high-quality e-books, and other media in an interactive format that make effective use of touch-screen tablets and smartphone devices. Currently available for the iPad, iPod Touch and iPhone devices, the app will soon be running on Android devices including the Amazon Kindle Fire, Barnes and Noble Nook Tablet. The app is also being ported to run on Windows Phone devices later this year.
The InteractBooks App is available as a free downloadfrom the Apple iTunes App Store. Browsing the InteractBooks Store directly from the App, users can download from a growing library of interactive children's e-books (also known as InteractBooks), there are a couple of free books available for download too.
The InteractBuilder is also a free software download which runs on Macs and Windows PC's that works in conjunction with the InteractBooks App allowing users to create their own interactive books. With the help of a comprehensive library of video tutorials and a network of technical support, the tool has become the most effective resource for children’s book authors, illustrators and presenters wishing to enter into the wonderful world of interactive media. In addition to featuring books in it's own interactive book store, InteractBooks also offers the ability to publish interactive books as stand alone apps. www.interactbooks.com
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