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Friday, 20 March 2026

Kanye West Brings the Biggest Show of the Year to Portugal

Ye returns to Portugal on August 7 with a major stadium show at Estádio do Algarve

Ye (Kanye West) will return to Portugal on August 7, with a major stadium show at Estádio do Algarve, marking his first performance in the country since 2011. 

Widely regarded as one of the most influential and disruptive artists of this century, he brings with him the new album Bully, set for release on March 27, alongside an ambitious, large-scale production never before seen in the country.

The event, promoted by GUEST, is set to position Portugal firmly on the European circuit of major concerts. The show is expected to attract tens of thousands of national and international fans, reinforcing the Algarve's role as a key destination for large-scale cultural events.

The waiting list opens on March 20 at 9 am, with exclusive early access to tickets for registered users starting March 24 at 9 am. General ticket sales begin on March 26.

All tickets will be available at yeliveportugal.com

European Tour Dates

Ye's European tour kicks off on May 30 in Istanbul, passing through some of the continent's largest venues:

•May 30 — Istanbul, Turkey

•June 6 — Arnhem, Netherlands (GelreDome)

•June 11 — Marseille, France (Orange Vélodrome)

•July 18 — Reggio Emilia, Italy (RCF Arena)

•July 30 — Madrid, Spain (Riyadh Air Metropolitano)

•August 7 — Algarve, Portugal (Estádio do Algarve)

This run of dates marks Ye's return to major European stages more than a decade later, with a tour designed for stadiums and large-scale venues, underlining the scale and significance of this new phase.

Thursday, 19 March 2026

David Macaulay, Mammoths, and the Books That Built a Cult Following

If you grew up with a fascination for how things work, or found yourself strangely charmed by woolly mammoths operating complex machinery, then you’ve likely encountered the work of David Macaulay

His “Mammoth” books are more than just educational titles; they’ve quietly developed a loyal, almost cult-like following across generations of readers.

The Birth of the Mammoth Universe

The origins of Macaulay’s mammoth-led storytelling trace back to his landmark book The Way Things Work. Originally conceived as a detailed guide to machines and engineering principles, the book could easily have become dry and inaccessible.

Instead, Macaulay introduced a brilliantly unexpected twist: woolly mammoths.

These prehistoric creatures appear throughout the book operating levers, pulleys, engines and even early computers, adding humour, personality and narrative to what might otherwise have been dense technical diagrams. The result? A book that teaches complex science while making readers smile.

As Macaulay himself noted, the mammoths weren’t just decorative, they were a way to make learning feel less intimidating and more human.

From Teaching Tool to Cultural Icon

The mammoths didn’t stop at one book. They became a recurring motif in later works such as Mammoth Science: The Big Ideas That Explain Our World, where they guide readers through topics like physics, biology, and chemistry.

What makes these books stand out is their unique blend of:

Detailed, hand-drawn illustrations

Accessible explanations of complex ideas

Playful, slightly absurd humour

A consistent visual “language” anchored by the mammoths

In Mammoth Science, the creatures even act out processes like digestion or energy transfer in inventive, visual ways, turning abstract concepts into something tangible and memorable.

Why the Cult Following?

So how did these books move beyond popular success into cult territory?

1. Nostalgia Meets Intelligence

Readers often discover Macaulay as children, but return to his books as adults. The layered approach means the content grows with you. What begins as fun illustrations becomes a deeper appreciation of engineering, design, and science.

2. A Distinctive Visual Identity

In a world of increasingly digital and disposable content, Macaulay’s meticulous, hand-crafted illustrations feel timeless. Each page invites slow reading and exploration, something rare today.

3. Humour That Respects the Reader

The mammoths aren’t just jokes; they reflect the reader’s own confusion when faced with complex ideas. They “learn alongside you,” making the experience relatable rather than patronising.

4. Word-of-Mouth Legacy

Online communities still share fond memories of these books, with readers recalling “amazing illustrations” and the “whimsical mammoths” that made learning unforgettable.

That kind of emotional connection, passed from one generation to the next, is the hallmark of cult status.

More Than Just Books

The influence of Macaulay’s mammoth universe even extended beyond print. Adaptations like The Way Things Work TV series brought the concept to new audiences, reinforcing the idea that education and entertainment don’t have to be separate worlds.

The Enduring Appeal

At a time when educational content is often rushed, simplified, or algorithm-driven, David Macaulay’s work stands as a reminder of something powerful:

Learning can be beautiful

Complexity can be approachable

And sometimes, the best guide through modern technology…

is a slightly bewildered woolly mammoth

Final Woolly Mammoth Thoughts

David Macaulay’s Mammoth books aren’t just educational tools, they’re cultural artefacts that have quietly shaped how generations understand the world. Their cult following isn’t accidental; it’s earned through originality, craftsmanship, and a genuine respect for the reader’s curiosity.

For many, those mammoths weren’t just characters.

They were the first companions on a lifelong journey of discovery.

To order your David Macauley's books from the That's Books and More online bookshop (yes, we get a small cut from every order) please visit https://amzn.to/3NOKPM0

Kent's Leeds Castle Opens Major New Eleanor of Castile Exhibition Featuring World’s First Interactive AI Avatar


Leeds Castle has announced the opening of ‘Pilgrimage of Love: Eleanor of Castile’, a major new exhibition featuring the world’s first interactive historical AI avatar, that is aware of, and responsive to, its environment.

The exhibition explores the life and legacy of Eleanor of Castile (1241–1290), the formidable Queen of England and first female owner of Leeds Castle. 

Through original research, immersive interpretation, and innovative technology, the exhibition sheds new light on one of medieval England’s most remarkable yet overlooked queens, in an unprecedented showcase. 

By foregrounding her life, experiences and character, the exhibition opens up fresh perspectives on her personal narrative, values, and complexities, revealing how her story continues to resonate today.

Dr Dominique Bouchard FRHistS FSA, Heritage and Engagement Director at Leeds Castle told That's Books and More: "What's most exciting about this project is the way it brings people into a more human relationship with the past. 

"We're always striving to help people connect with the Castle's history in ways that feel alive. This new avatar gives visitors a unique chance to meet Eleanor of Castile as a person with depth and personality.

“The technology allows visitors to ask the questions they want to ask, moving beyond the questions we as curators identified and engaging with the scholarship behind the exhibition. It allows us to share a meticulously researched story in a format that feels immediate and personal, inviting visitors to explore Eleanor’s world with curiosity and confidence. That sense of connection has always been at the heart of heritage interpretation, and this exhibition opens up a new way of creating it."

The exhibition, starting in the historic Gloriette built by Eleanor in 1278, explores her politically savvy marriage to King Edward I, extensive travels on crusade, and role as a landowner and businesswoman. This narrative presents Eleanor as a powerful and complex queen in her own right, redefining what it meant to rule as a medieval woman.

Visitors will culminate their experience with An Audience with a Queen, featuring the world’s first AI avatar, developed by SKC Studios, creators of the AI platform 1956 Individuals. Unlike traditional digital interpretation, the avatar is aware of her surroundings and recognises when a visitor approaches. She responds directly to questions, creating a dynamic, unscripted conversation that bridges seven centuries of history and transforms the visitor from observer to participant.

Babita Devi, Co-Founder & Chief Commercial Officer at SKC Studios, told us: “We're proud to partner with Leeds Castle on a project that fundamentally reshapes how history is accessed and experienced. 

Through 1956 Individuals, information moves beyond static interpretation to become intelligent, responsive and immediate, empowering visitors to ask their own questions and engage with the past in real time. 

"This marks a step change for the cultural sector. It demonstrates what forward-thinking cultural stewardship truly means: safeguarding the integrity of heritage while using pioneering technology to unlock deeper, more dynamic access to knowledge for a new generation.”

Eleanor of Castile transformed Leeds Castle into a royal symbol of refinement and luxury, establishing it as a distinctly ‘queenly’ possession. Her influence directly shaped the royal English court through the introduction of cosmopolitan European culture, including tapestries, carpets, and tableware. Eleanor also significantly enhanced the Castle’s architecture, evolving it from a Norman fortress into the elegant structure we see today.

Pilgrimage of Love: Eleanor of Castile

• Opens Monday 9 March 2026 at Leeds Castle, Kent

• Included in admission ticket

• Explores the life and legacy of Leeds Castle’s first female owner

• Features the world’s first interactive historical AI avatar

 www.leeds-castle.com

Wednesday, 18 March 2026

Dare You Read This Before Bed?

If you’re looking for something bold, unsettling, and impossible to put down, “No Lips to Scream With” is exactly what your bookshelf has been missing.

Published through The Rann Street Press and available now on Amazon Kindle, this gripping collection delivers ten unforgettable short stories that cut across genres — from chilling horror and eerie modern ghost tales to sharp mystery and thought-provoking science fiction.

Each story pulls you in fast… and refuses to let go.

And right now? It’s an absolute steal.

For just £0.99, you’re getting a full collection designed to unsettle, intrigue, and keep you turning pages long after you meant to stop.

At the heart of it all is the haunting title story:

“No Lips to Scream With.”

What would you do if you needed to scream…

but suddenly realised your lips were gone?

Disturbing. Original. Impossible to forget.

If you enjoy stories that linger in your mind long after the final line, this is your next read.

Download it. Read it. Try not to think about it afterwards.

You can download it here:- https://amzn.to/3Pgn6oq

Tuesday, 17 March 2026

Scotland's Oldest Heritage Charity Launches Global £1.5m Campaign Against the Clock

Scotland’s oldest heritage organisation has launched a £1.5 million campaign to secure a permanent home in Edinburgh ahead of its 250th anniversary.  

The Society of Antiquaries of Scotland works to ensure Scotland's past is for everyone to research, share, enjoy and protect, across the UK.

Yet it currently operates from an inaccessible top-floor flat within the National Museum of Scotland complex, limiting its ability to engage with the public and collaborate across the sector.

The proposed heritage hub would establish Scotland’s first national heritage hub. Here, academics, visitors and anyone curious about Scotland's past can explore their heritage and engage directly with the work of protecting Scotland's history.

The Society is seeking to purchase a building which sits within the historic southern gateway area to Edinburgh, part of a cultural quarter which attracts more than 10 million visitors annually. The building is offered at a fixed price of £2.1 million until January 2027.

Founded in 1780 and incorporated by Royal Charter in 1783, the Society is Scotland's oldest heritage charity. Its early Fellows contributed collections that formed the foundation of the National Museum of Scotland's Scottish history and archaeology galleries. Today, the Society facilitates research and innovation through grants and awards, advocates as a voice for heritage, and shares knowledge through a multifaceted programme of lectures and resources.

The Society is contributing £600,000 from its own investments and must raise the remaining £1.5 million by January 2027 to secure the opportunity.  

The campaign carries particular significance as the Society approaches its 250th anniversary in 2030, marking a quarter millennium of scholarship and research.    

Diana Murray CBE HonFSAScot, President of the Society of Antiquaries of Scotland, told That's Books and More: "For centuries, this small corner of Edinburgh has been a gateway to Scotland's past.

"We now have a rare and time-sensitive opportunity to secure this building and open our doors properly for the first time in our modern history, ensuring Scotland's past belongs to everyone, at home and across the world." 

Dr Simon Gilmour FSAScot, Director of the Society of Antiquaries of Scotland told us: "This is a genuine once-in-a-lifetime alignment of opportunity, affordability and historic significance. 

"The building sits at the very heart of Edinburgh's cultural quarter, beside the National Museum of Scotland, within a UNESCO World Heritage Site, in an area attracting over ten million visitors a year. We invite everyone who cares about Scotland's past to help us secure it.” 

Professor Elizabeth Ewan FSAScot, Professor Emerita of Scottish Studies and History, University of Guelph, Ontario, who has been a Fellow since 1985, added: "From Canada I have seen first-hand how deeply Scotland's history runs in people across the world. 

"The Society of Antiquaries of Scotland has been at the heart of Scottish historical scholarship for nearly 250 years, connecting researchers and heritage enthusiasts across the globe. A permanent home would transform what the Society can offer to that global community." 

How to Support the Campaign 

A Primary Donor giving £1 million or more may name the building, with their name, coat of arms or corporate logo displayed on the exterior. 

Gold Donors giving £200,000 or more will have their name, coat of arms or corporate logo displayed in the boardroom. In doing so, each major donor will be inscribed into Scotland's story and become a part of the nation's history.

Qualifying donors who do not already hold a coat of arms will be supported by the Society in preparing a petition for a grant of arms to the Lord Lyon King of Arms. All petitions are assessed independently by Lord Lyon on their individual merits. 

Donors of £10,000 or more will join the 21st-Century Founding Circle, with access to exclusive events, both in person and online, as well as regular updates regarding the Society's research and projects and will be recognised on a dedicated honour roll within the building. Donors of £2,000 or more will be welcomed into The Antiquaries Circle and also enjoy a tailored programme of events.

All donors will also be recognised in a special edition of the Proceedings of the Society of Antiquaries of Scotland, the Society’s peer-reviewed journal which has been published since 1851. Gifts of any size are warmly welcomed, and every contribution brings the Society closer to securing this once-in-a-generation opportunity.

To donate or discuss a major gift, visit www.socantscot.org/heritagehub or contact Deborah Roe, Head of Fundraising, at deborah@socantscot.org

The associated illustrations are artist's impressions.

Lacock Scarecrow Trail Back for 2026 with Children’s Books Theme

The popular Lacock Scarecrow Trail will return to the village which is in Wiltshire on Saturday 11 and Sunday 12 July 2026, bringing a weekend of family fun inspired by the theme “Children’s Books.”

Organised by the Friends of Lacock School, the trail will feature scarecrows created by residents and local businesses based on well known characters from classic and modern children’s stories. Visitors will be invited to explore the village and see how many scarecrows they can spot along the route.

Activities at the school will include tea, coffee and homemade cakes, a tombola, and a raffle with fantastic prizes. A BBQ will be serving burgers and sausages,and ice cream will also be available.

Children can enjoy inflatables and rides from Austin’s Fairground on the school playing field.

A spokesperson for the Friends of Lacock School told That's Books and More: "The Scarecrow Trail is always a wonderful community event. 

"It brings the village together and attracts visitors from across the area while raising funds to support Lacock School."

The event promises a fun family day out while supporting Lacock School and the local village community.

https://www.facebook.com/friendsoflacockschool

Sunday, 15 March 2026

International Read to Me Day: Why Reading Aloud Still Matters

Every year, International Read to Me Day celebrates one of the simplest and most powerful ways to share stories, knowledge, and imagination: reading aloud to others. 

Whether it’s a parent reading to a child at bedtime, a teacher sharing a story in the classroom, or a grandparent bringing a favourite book to life, reading aloud is an activity that strengthens bonds while nurturing a lifelong love of books.

In a fast-paced digital world filled with screens and scrolling, taking the time to read to someone can feel wonderfully old-fashioned, and yet it remains one of the most effective ways to support literacy, emotional development, and learning.

Why Reading Aloud Is So Important

Research consistently shows that children who are read to regularly tend to develop stronger language skills and perform better academically. Hearing stories introduces young listeners to new vocabulary, sentence structures, and ideas long before they are able to read independently.

But the benefits go far beyond literacy.

Reading aloud helps children:

Build stronger listening skills

Develop imagination and creativity

Understand emotions and empathy

Strengthen memory and concentration

Associate books with comfort and enjoyment

For very young children, the sound of a familiar voice reading a story can also create a sense of security and closeness. These shared reading moments often become some of the most treasured childhood memories.

It’s Not Just for Young Children

Although International Read to Me Day often focuses on early childhood literacy, reading aloud can benefit people of all ages.

In schools, teachers reading to students can help make literature more engaging and accessible. Hearing a story performed aloud can transform a text from something abstract on a page into a vivid and emotional experience.

Reading aloud also plays a valuable role in supporting:

Older children who may struggle with reading confidence

People learning English as a second language

Adults with visual impairments

Older people in care homes who enjoy storytelling and companionship

In fact, community reading programmes, library storytelling sessions, and intergenerational reading projects are increasingly popular ways to bring people together through books.

Making Time to Read Together

One of the key messages of International Read to Me Day is that reading aloud doesn’t have to be complicated or time-consuming. Even ten minutes a day can make a meaningful difference.

Simple ways to celebrate the day include:

Reading a bedtime story to a child

Visiting your local library for a storytelling session

Reading a favourite childhood book to family members

Volunteering with a local school or literacy programme

Sharing stories with elderly relatives or neighbours

The most important thing is not which book you choose, but the act of sharing the story.

Stories Build Connections

Books have always been a powerful way to connect people across generations and cultures. When we read to someone else, we are not just sharing words on a page, we are sharing imagination, emotion, and experience.

International Read to Me Day is a gentle reminder that sometimes the most meaningful moments come from the simplest traditions: sitting together, opening a book, and letting a story unfold.

In a noisy and distracted world, reading aloud offers something rare, a quiet space where people can listen, learn, and dream together.

Friday, 13 March 2026

Ram full of fun! The Ram Comedy Festival 2026 Programme Now Complete. It'll set Derbyshire Laughing

The Ram Comedy Festival, Derby's premier independent celebration of live comedy, is excited to announce its 2026 programme is now complete. 

Running from May 28 to June 7, 2026, the festival will feature an impressive lineup of 92 shows, with 57 offering free entry to make laughter accessible to all. 

This year's expanded schedule promises a diverse mix of stand up, improv, podcasts, new act competitions, and family friendly performances across multiple venues in the city of Derby.

Building on the resounding success of the 2025 iteration, which marked the festival's triumphant big return after a five year hiatus, the event saw 72 shows across 6 venues and over 1,600 tickets issued, drawing comedy enthusiasts from near and far.

The 2026 programme continues this momentum, showcasing emerging and established talent.

Attendees can look forward to standout performances from a roster of highly talented comedians. While you may not have seen these people regularly on TV, comedy is like an iceberg, and there's a wealth of talent you don't see that we love to celebrate. Highlights include:

David Eagle, a folk music and comedy legend from Hartlepool, known for his work as a blind comedian, singer, and musician. As a member of the three time BBC Radio 2 Folk Award winning band The Young'uns, Eagle brings a unique blend of humor and music, with accolades including Best Variety Show at the Leicester Comedy Festival 2024 and New Comedian of the Year at Leicester Square Theatre.

Dawn Bailey, an original performer and winner of the XS Manchester Radio Comedian of the Year 2016, celebrated for her authentic storytelling, sharp observational humor, and relatable takes on life as a fifty something mum.

Michael McKenzie, a rising stand up star and finalist in the Chortle Student Comedy Award 2023 and BBC New Comedy Awards 2022, known for his sharp, confident delivery and personal stories, including his experiences with a prosthetic leg.

Joe Wells, a neurodivergent comedian, writer, and podcaster acclaimed for his insightful and hilarious explorations of autism, as seen in his full stand up show "King of the Autistics" and popular videos on topics like getting an autism diagnosis.

Key events include the Opening Preview Show on May 28, the New Act of the Year Final on June 3, and the Comedian of the Year Final & Closing Show on June 7. Many shows operate on a pay what you like (PWYL) basis, ensuring high quality comedy is available to audiences of all budgets.

"We've curated an incredible array of talent to showcase Derby as a vibrant comedy hub," James Beckett, Festival Organiser told That's Books and More.

"Following last year's massive success with over 1,600 tickets issued across 72 shows, we're thrilled to expand to 92 performances this year. Whether you're into sharp stand up, interactive improv, or discovering the next big name, there's something for everyone."

Venues include fan favourites like The Old Bell Hotel, The Courtyard, Derby Conference Centre, The Royal Standard, Dubrek Studios & The Greyhound. All helping transform Derby into a laughter filled destination for 11 days.

Tickets and full programme details are available now at https://ramcomedyfestival.co.uk Early booking is recommended, as popular shows are expected to sell out.

The Ram Comedy Festival is an independent event dedicated to promoting live comedy in Derby, UK. Supporting local promoters and talent, it features a mix of free and ticketed shows to foster a thriving comedy scene.

TV Celebrity and Guinness World Record holder take on one of the World's Toughest Arctic Cycling Challenge

TV’s Louise Minchin and record holder Mimi Anderson are to race 300+ miles through Canada's Northwest Territories at temperatures of -40°C, proving age is no barrier to adventure.

In a bold and inspiring celebration of International Women's Day, award-winning author, journalist and broadcaster Louise Minchin and celebrated endurance athlete and multiple Guinness World Record holder Mimi Anderson are joining forces to take part in the inaugural Inuvik Weekend Warrior Fat Bike Race on 18th-21st March - a gruelling 300+ mile fat bike race through some of the coldest, most remote and most spectacular terrain on earth.

Set deep in Canada's Northwest Territories, the Inuvik Weekend Warrior Fat Bike Race is as formidable as it sounds. Louise and Mimi will cycle across frozen rivers, along remote highways and through vast snow-covered wilderness, enduring temperatures as low as -40°C. This is not simply a race for the pair; it is a statement of what women are capable of, at any age and is a celebration of women stepping out, of all ages, on International Women’s Day.

Louise and Mimi are driven by a shared and powerful purpose:
• Demonstrate that age is no barrier to adventure
• Show how building resilience through challenge can transform lives
• Share why keeping fit is vital for women's health and wellbeing

As they dug deep into rigorous training and prepared to face this epic arctic challenge, Louise and Mimi have been proudly fundraising for two outstanding charities: The Duke of Edinburgh's Award and Marie Curie — causes close to both their hearts that support young people's development and those facing terminal illness.

Says Louise: “This is going to be an epic challenge. It has been 40 years since I went on my first expedition as part of The Duke of Edinburgh’s Award. Taking part all those years ago gave me a life-long love of being outdoors and I am hoping that by doing this expedition I can help raise funds for young people who might not be able to afford to take part in expeditions and would otherwise miss out on the opportunity to build confidence, resilience and skills for the future.”

Mimi adds: “I am thrilled and delighted to be taking on this huge challenge with Louise, whilst also raising money for my charity, Marie Curie, which is very close to my heart.

“I know that when the going gets tough — and it will — I will be able to draw on the reasons why I am doing this. It’s not only about the challenge itself, but about supporting an incredible cause, embracing the spirit of true adventure, and showing that age really isn’t a barrier when it comes to pursuing something extraordinary.”

Louise and Mimi are extremely grateful to be supported by a number of outstanding brands who have provided specialist kit and equipment for the challenge. Their product sponsors are:
Deuter — specialist outdoor packs and equipment
Findra — premium merino wool active and outdoor clothing
• Restrap — bikepacking bags and carrying solutions
RAB — high-performance insulation and extreme weather gear
• Darn Tough — guaranteed-for-life merino wool performance socks
• THAW Gear — heated clothing and gear for extreme cold conditions
• The Bike Factory Chester — specialist cycling retailer providing bike support and equipment
Trek — world-leading bicycle manufacturer providing the bikes for the challenge

FACTFILE:

Louise Minchin is a renowned author, journalist and broadcaster, best known as the former co-anchor of BBC Breakfast, current presenter of Rip Off Britain, and guest host on The One Show. A passionate advocate for women's fitness and wellbeing, Louise is also a committed endurance athlete who has competed in triathlons worldwide and authored books on fitness and resilience, as well as written fiction.

Mimi Anderson is one of the world's most accomplished endurance athletes and a multiple Guinness World Record holder. Over a career spanning decades, Mimi has completed some of the most extreme ultra-endurance events on the planet, cementing her status as a true pioneer of women in adventure sport. The epitome of a stay-at-home mum becoming a multiple Guinness World Record holder, Mimi has written two books and is an inspirational speaker.

Friday, 6 March 2026

'Together | Apart' - Upcoming Exhibition by Neuk Collective

Neuk Collective is proud to present "Together | Apart", a mixed media exhibition at Project Ability, Glasgow, opening 18 April 2026 (Private view on 23 April).

Bringing together work by members of Neuk Collective from across Scotland, Together | Apart explores experiences of separation and connection, and the ways these can exist simultaneously. 

Artists were invited to reflect on what it means to be both distinct and interwoven: separated by geography but connected through shared experience, identity and community.

Established in 2020, Neuk Collective is a neurodivergent-led initiative supporting and platforming neurodivergent artists across Scotland. What began with just four artists at its first exhibition in 2021 has grown into a network of over 250 neurodivergent creatives. 

Through exhibitions, workshops, advocacy and peer support, Neuk works to dismantle barriers in the arts and create spaces where neurodivergent artists can thrive.

Neuk is honoured to collaborate with Project Ability, an organisation with decades of work, including platforming and advocating for disabled artists. 

Together | Apart reflects a shared commitment to inclusive practice and artist-led collaboration. Neuk Collective is grateful to Project Ability for their gallery space and in-kind support throughout this project.

The exhibition showcases a wide range of media, including textiles, painting, printmaking, ceramics, sculpture, video and sound. The result is a moving and diverse exploration of belonging, distance, interdependence and individuality.

Private View: 23rd April, 6-8pm.

Exhibition Dates: April 18 - May 23, 2026

Opening Hours: Wednesday to Saturday, 11 AM – 5 PM

Venue: Project Ability Gallery, Trongate 103, Glasgow

Accessibility

Accessibility is central to Neuk Collective’s practice. The exhibition includes:

Ear defenders and sensory supports such as stim toys

Easy Read exhibition interpretation

Closed captions for all video content

A Visual Story available in advance to help visitors familiarise themselves with the space

Neuk Collective is grateful to Creative Scotland for supporting this exhibition.

doorinthewall.co.uk

The work used in the exhibition flyer is ‘He Visits In My Dreams’ by Isabella Luciani and ‘Connections’ by Grant Glennie.

“We are delighted to bring ‘Together | Apart’ to Project Ability,” Tzipporah Johnston, founder of Neuk Collective told That's Books and More.

“Neuk began as a small group of neurodivergent artists looking for connection. Today, we are a growing national network. This exhibition reflects both our differences and our deep interconnection, and shows what becomes possible when neurodivergent artists are supported to create on their own terms.

"Together | Apart feels like an exciting development for Neuk Collective’, said curator, Amy Milner. ‘Our previous two exhibitions have focused primarily on our identity as a neurodivergent collective. Together | Apart moves beyond this, yes, we are still vocal and proud to be showcasing neurodivergent talent, but this time we have deliberately chosen a theme that doesn’t focus on identity. Neurodivergent and disabled perspectives are relevant and important, not only on issues of accessibility and inclusion, but in all broader cultural conversations."

"I am delighted to be bringing the brilliant work of Neuk collective into the space with Project Ability,' said producer Naomi Walmsley. ‘The exhibit theme immediately spoke to me on many levels about the power of a community, the place of the individual and how we experience the world, wherever our brains may take us. The diversity of pieces in the exhibition both reflects these multiple dimensions and makes for a gorgeous viewing experience."

A spokesperson told That's Books and More: "We invite the whole community - and especially neurodivergent people and their friends, families and supporters - to join us for this exhibition showcasing the vibrancy of Scotland’s neurodivergent artist community.

For more information and a list of the artists who are featured please visit https://neukcollective.co.uk/exhibition

Thursday, 5 March 2026

Sting – Sounds Like Art: Rijksmuseum Amsterdam. Available from Today, March 5th on arte.tv

Sounds Like Art is an exciting new concert initiative that invites musicians to perform amongst works of art in a European museum of their choice. 

World-renowned artist Sting performs in the beautiful surroundings of Amsterdam’s Rijkmuseum amongst paintings by Rembrandt, Vermeer and Judith Leyster, and reflects on the works of the old masters.

The 17-time Grammy Award winning artist performs a unique concert amongst masterpieces in the Gallery of Honour. 

Playing a rare 17th century guitar, Sting, managed by Martin Kierszenbaum/Cherrytree Music Company, reveals his love for the Old Masters and revels in the power of books and reading, while performing in the museum’s spectacular library. As an English teacher under his given name of Gordon Sumner, his love of books and reading should cause no surprise. 

Coinciding with an international run of Sting’s musical “The Last Ship” in Amsterdam, Paris, Brisbane and New York, this special performance includes selections from his TONY Award nominated musical, a deeply personal tribute to Sting’s native Northeast England and the now-vanished shipbuilding tradition of his hometown, Wallsend

Accompanied by his longtime guitarist Dominic Miller, Sting reflects on the musical’s origins, shares stories from throughout his career, and performs beloved songs spanning his illustrious catalogue, including classics from his celebrated band, The Police.

While the Rijksmuseum’s crown jewel, Rembrandt’s The Night Watch, undergoes restoration, the museum opens the doors of the painting’s striking glass-fronted gallery for a rare, intimate performance. For the occasion, Sting plays a unique 17th-century guitar, originally crafted for the court of Louis XIV, the Sun King, generously loaned to the museum.

A former English teacher with a lifelong devotion to reading and learning, Sting also performs in the Rijksmuseum’s spectacular library, celebrating the enduring power of books and curiosity. His openness, intellect, and willingness to keep challenging himself shine throughout this episode—an unforgettable encounter where timeless art meets timeless music, and where history, storytelling, and song come vividly alive.

WATCH STING - Sounds Like Art https://www.arte.tv/en/videos/119031-004-A/sting-sounds-like-art/

Wednesday, 4 March 2026

Self-taught songwriter lands two songs in UK Songwriting Contest final and wins 'Best Song' at Cannes

Self-taught songwriter and leader in the field of AI, Matthew Blakemore has landed two songs in the final of the UK Songwriting Contest, one of the world's longest-running international songwriting competitions, and won Best Song at the Cannes World Film Festival, all in the same year.

Blakemore's tracks Paper Cuts (Adult Contemporary) and Absence of Care (Singer-Songwriter) both reached the final of the 2025 UK Songwriting Contest (UKSC), now in its 24th year with entries from almost 100 countries. Finalists represent the top 1–2% of all entries. 

Two songs in the final from the same writer is a rare achievement. A third song, Why Say Sorry?, won the Best Song award at the Cannes World Film Festival.

Three songs. Three competitions. Two finals and a win.

Blakemore is entirely self-taught as a songwriter, he has never had a songwriting or music lesson outside of school, and has perfected his craft entirely on his own since the age of 16. 

He started writing songs as a teenager at John Henry Newman School in Stevenage, where music teacher Mr Wright selected one of his early compositions to be performed by the school choir. 

He went on to write songs for the charity Teens Unite Fighting Cancer and has received UKSC recognition across multiple years.

"When I was developing my craft, people used to laugh," says Blakemore. "They aren't laughing now."

By day, Blakemore is one of the UK's most prominent AI professionals. He is CEO of AI Caramba!, named AI Solutions Provider of the Year 2025, and serves as European Regional Director at Monarrch, known as 'The AI Royalty Company'. He was named in the Top 100 Influential People in AI (2025), awarded Forty Under 40 UK (2024), and is one of only four global Sub-Editors for ISO/IEC 8183, an international AI standard affecting 165+ countries.

Yet he never uses AI to write his lyrics. Not a single word.

"Every lyric comes from lived experience, the heartbreak, the joy, the frustration. That has to be human," says Blakemore. "What AI can do is help me realise the sound I hear in my head. I use it as a production tool to shape the music around my words, exactly as I envision it. That's empowerment, not replacement."

Blakemore uses AI music tools to iteratively shape and edit productions until they match his precise creative vision, a process far removed from the common misconception of simply typing a prompt and accepting whatever comes out.

His role at Monarrch places him at the centre of one of the biggest debates in the music industry right now: whether AI companies should compensate creators whose work is used to train AI models. Monarrch is developing a patent-pending AI Royalty Operating System (AIR-OS), designed to ensure fair remuneration for creators.

"I'm on the side of the creators," says Blakemore. "Not by blocking AI, but by making sure the people whose creativity feeds these models get their fair share."

This advocacy sits alongside his contributions to the EU AI Office's General-Purpose AI Code of Practice and his standards work through ISO/IEC and BSI, where he helps shape the governance frameworks that will determine how AI interacts with creative industries globally.

aicaramba.co.uk

Cambridge International Publishing Releases SG60 Anthology Featuring Over 500 Students: Now Available on Amazon

In celebration of Singapore’s 60th anniversary (SG60), a landmark literary project titled “Through Young Eyes: Singapore at 60” has been officially released.

The anthology, published by Cambridge International Publishing, features original essays and hand-drawn illustrations over 500 students representing a diverse cross-section of Singapore’s educational landscape, including Government and International schools.

This public welfare initiative was designed to provide a professional platform for the next generation to articulate their vision of the nation. 

Unlike traditional commercial publications, this project was entirely non-profit for the participants, ensuring the creative voices of children from all backgrounds were heard without financial barriers.

The collection is notable for its authenticity. Each essay is accompanied by student-created illustrations, offering a direct and genuine perspective on Singapore’s heritage and future, as seen through the eyes of its youngest citizens.

“Seeing 500 unique perspectives come together in one volume is a testament to the intellectual and creative vitality of Singapore’s youth,” the project lead at Cambridge International Publishing told That's Books and More.

“By publishing this work on global platforms like Amazon and making it available in physical bookstores, we are ensuring that these ‘New Voices’ are archived in the global cultural record.”

To celebrate the launch, a series of commemorative events are currently being held in Singapore. Young authors, accompanied by their families, are invited to collect their published works and certificates of achievement. 

These moments of recognition underscore the project’s mission: to foster a sense of national pride and scholarly accomplishment.

As a bridge between academic excellence and community contribution, this SG60 initiative demonstrates the power of independent publishing to document social milestones and empower emerging talent outside of traditional institutional constraints.

Cambridge International Publishing is an independent academic publisher based in Cambridgeshire, UK. The company focuses on promoting new voices and providing global platforms for intellectual and cultural exchange

https://www.cambridgepublish.com/main

Monday, 2 March 2026

School Library Association and Barrington Stoke launch new Reader of the Year Award in the National Year of Reading

Ahead of World Book Day, and to celebrate the National Year of Reading, the School Library Association (SLA) is launching a brand-new award in collaboration with one of the UK’s most innovative children’s publishers.

The Barrington Stoke Reader of the Year Award will be the only national award to celebrate young readers, recognising pupils in Year 7 and 8 who have overcome challenge to discover the joy of reading. 

The winner will receive £400 worth of Barrington Stoke books for their school library, a £100 book token for themselves, and a digital subscription to First News for both home and school.

Nominations are now open for the award, which celebrates engagement, enjoyment and determination over academic attainment or reading fluency. Awarded by the SLA, the Barrington Stoke Reader of the Year Award will also highlight the vital role school libraries and librarians play in getting the right books into the hands of the right pupils, helping every child develop their own positive relationship with reading.

Teachers, headteachers and school librarians from across the UK can nominate Year 7 and 8 pupils (S1 and S2 in Scotland). The closing date for nominations is Friday, 15th May, after which a prestigious judging panel will decide on a shortlist. 

The winner will be announced at the SLA’s Annual Awards Ceremony, taking place on 18th November 2026 in London.

Jane Walker, Sales & Marketing Director at Barrington Stoke, told That's Books and More: “At Barrington Stoke, young people are at the heart of everything we do, and we know that some of them face real challenges on the path to developing a love of reading. 

"We’re therefore thrilled to be working with the School Library Association, sponsoring an award to celebrate those readers, while also recognising the crucial role of the school librarians who support them on that journey.”

The judging panel will include SLA School Librarian of the Year 2025 – Julie Broadbent, author and SLA Patron Tom Palmer and Barrington Stoke author Catherine Johnson, as well as representatives from Barrington Stoke, the School Library Association and children’s newspaper First News, who will join the award as media partner.

Catherine Johnson said: “I am so excited to be a judge for the brand-new Barrington Stoke Reader of the Year Award! I firmly believe that school libraries and librarians are an integral part of any school community. And I am thrilled to help shine a light on those students – a vital part of those communities – who have found their way into books.”

Victoria Dilly, CEO of the SLA, said: “Launching a brand-new award that celebrates young readers puts children and young people at the heart of our National Year of Reading activity. We are thrilled to be joining forces with Barrington Stoke,  their focus on making books accessible to every reader makes them the perfect partner for an award specifically recognising young people who have had to overcome challenge to discover the joy of reading. 

"The Barrington Stoke Reader of the Year Award will celebrate the curiosity, empathy and imagination that all children and young people can unlock when they discover the joy of reading.

"With children’s reading for pleasure at an all-time low, and a mandatory Year 8 reading test soon to enter the curriculum, the need to celebrate children’s reading enjoyment has never been so important. We know that school libraries and school librarians help millions of children to develop more positive relationships with reading, and I can’t wait to hear about some of them.”

Nominations for the Barrington Stoke Reader of the Year Award can be made at: sla.org.uk/reader-of-the-year

https://collins.co.uk/pages/barrington-stoke

“Slough Is Not What You Think” — Town Launches Digital Hub to Power 2028 Culture Bid

A Digital Home for Slough’s Story, Creativity and Collective Voice.

Slough has today launched its official Town of Culture 2028 digital platform, designed to capture the town’s collective voice and showcase the full richness of its varied cultural life.

“This is Slough telling its story in its own words. It is time for the country to see the real Slough,” Vineet Vijh, the director of Viva Slough, the organisation responsible for creating and managing the digital platform told That's Books and More.

Hosted within The Slough Explorer at www.thesloughexplorer.org, the Town of Culture section is more than a campaign page. 

It's a vibrant, living cultural engine, consolidating the town’s creative energy, community voice and cultural activity into one powerful national showcase. 

It brings together residents’ ideas, stories, videos, photos, events and organisations in one accessible, living space.

The new platform has been designed as an interactive and evolving cultural ecosystem, featuring:

A Collective Story

Residents are invited to share what makes Slough special, from hidden gems and heritage to bold ideas for 2028. 

The website gathers public responses to the Town of Culture consultation questions, ensuring the bid is rooted in genuine community voice.

A Cultural Showcase

A curated gallery of videos and photographs highlights Slough’s vibrant present: dance performances, public art, food festivals, faith celebrations, digital innovation, youth creativity and grassroots initiatives.

The aim is simple: to show the country what Slough already knows: that culture here is alive, diverse and forward-thinking.

A Living “What’s On” Directory

The website consolidates arts and cultural listings across the town into a single, regularly updated directory. 

From exhibitions and theatre to sports, music, workshops and community gatherings, residents and visitors can now find everything happening in one place.

Directory of Artists & Organisations

A searchable database of local creatives, cultural organisations and community groups strengthens collaboration and visibility, thus making it easier to commission, connect and celebrate Slough’s talent.

Designed for Residents, Built for the Nation

The website has been designed to serve two audiences:

• Local residents, who want to feel connected and proud of their town

• National audiences, who are curious to discover a modern British town redefining itself through creativity

An early user of the platform, local resident Aniruddha Jamadar, shared: “I had no idea there was so much happening in Slough until I saw everything in one place. 

"It makes you realise how creative this town really is. It is practical, inspiring and genuinely useful.”

A Digital Front Door to a Changing Town

Slough’s bid positions the town as a modern British powerhouse, blending heritage with technology, grassroots creativity with global industries that power the UK economy.

Unlike a static campaign page, the Slough Town of Culture website will continue to evolve throughout the bid process and beyond. 

Slough residents are encouraged to submit photos, videos, ideas and event listings, ensuring the platform grows organically alongside the movement.

Slough is one of the youngest towns in the country, economically dynamic and culturally rich. Through this new digital home, it invites the rest of the United Kingdom to see the reality behind the headlines: a town powered by community, creativity and confidence.

Tarcila Broder, the designer of the platform, said, “The digital hub aims to consolidate information that is often scattered across social media and individual websites, making Slough’s cultural offer more visible both locally and nationally. It uses AI agents to search for and consolidate information, saving significant time on manual updates. It is indeed a platform built for the future”

Get Involved

Residents, artists and organisations can explore the site and contribute at:

www.thesloughexplorer.org

Follow and support the campaign using:

#Slough2028 #UKTownOfCulture2028

Sunday, 1 March 2026

Bespoke Manchester Jeweller Lands Role in Award-Winning Experian TV Campaign After Daughter Gets Cast First

Didsbury-based bespoke jeweller Abdulla 'Bud' Mulki almost didn't send his self-tape. Six days later, he was on an international film set in Bulgaria. Then his daughter was asked to compose the music.

Abdulla 'Bud' Mulki, founder of independent bespoke jewellery studio Si Vis Amari, has appeared in Experian's major new "Better Your Story" TV campaign after an unlikely chain of events that began with his daughter landing a role first.

The campaign, created by BBH London and named Ad of the Day by The Drum and one of the Clio Awards' 5 Ads of the Week, reimagines the classic nursery rhyme "There Was an Old Woman Who Lived in a Shoe."

It follows a family living in a worn-out Converse sneaker who improve their credit score with Experian and upgrade to a spacious cowboy boot.

Mulki's daughter Maissa, a talented composer, musician and actress, was originally cast as one of the children. Maissa is no stranger to major productions, having previously appeared in commercials for Very, Apple and Yamaha Music. 

A gifted musician, she was named Musician of the Year at Xaverian College and was double shortlisted for the BBC Young Composer of the Year award.

The production team then asked the families to send in photos of the dads. They liked the look of Mulki and requested an improv self-tape.

"I nearly didn't bother," says Mulki. "I'm a jeweller, not an actor, and I was busy with work. But I didn't want to spoil it for my daughter, so I sent one in. They loved it, and the next thing I knew I was on a plane to Bulgaria."

What followed was a six-day shoot on a purpose-built set that took months to construct, featuring two life-size shoe builds. 

The commercial was directed by award-winning director Tom Noakes through production company Business Club, with cinematography by James L Brown, who had recently wrapped a Netflix series in Colombia. Mulki was put up in five-star accommodation at the Hilton with all expenses paid.

During filming, Noakes asked Mulki "is this your first gig Bud?". When Mulki confirmed it was, the director told him he was a natural and should pursue more work. The production team nicknamed him "King Bud" and referred to him and Maissa as "the Dream Team" for their chemistry on set with cast and crew.

At the wrap party, Mulki spotted an opportunity to champion his daughter's composing talent and mentioned it to Noakes. The director asked to see her CV. A couple of weeks after post-production, Noakes messaged back saying he was impressed by how gifted she was for her age, and told Mulki to leave it with him.

Shortly after, BBH's production team called to ask Maissa to demo the music for the commercial. She was then contacted by Wake The Town, a music supervision company in London, and was briefed on the project. Maissa composed the music along with three alternate endings. Her work was shortlisted, but the production ultimately chose another composer's piece.

The experience didn't hold her back. Noakes later reached out to Maissa directly with a message that read: "I never got to debrief with you after the agency decided to move forward with another composer. I simply want to express how impressive your piece of music is, which is remarkable considering your age, but equally that nobody else knew that. It was in the running because it was impressive on its own merit. Well done."

Maissa is now preparing to study composition at Leeds Conservatoire next year under Tom Harold, a former winner of the BBC Young Composer of the Year award and notable UK composer.

"The whole experience was surreal," says Mulki. "One minute I'm at my desk in Didsbury designing engagement rings, the next I'm on an international film set being directed by someone who has worked with some of the biggest brands in the world. And then my daughter gets asked to compose the music. It all started because Maissa got the part first."

The commercial is now running across TV, cinema, VOD, out-of-home, radio, digital and social channels nationwide, with media handled by PHD.

Taking the director's advice to heart, Mulki has since been signed by Manchester talent agency The Drama Mob, whose roster includes Owen Cooper, the English actor who gained international recognition for his debut role as teenaged murder suspect Jamie Miller in the hit Netflix miniseries Adolescence (2025).

By day, Mulki continues to run Si Vis Amari from two studios in Manchester: a flagship in Didsbury Village and a second in the city centre. Originally Syrian and born in Edinburgh, he designs bespoke engagement and wedding rings using 3D sculpting software originally developed for the animation industry. Every ring is designed personally to tell a story and manufactured in the UK. Si Vis Amari is a member of the National Association of Jewellers and has created bespoke pieces for notable UK celebrities.